府城寺廟壁畫之研究

傳送到

題名:
府城寺廟壁畫之研究
著者: 昝明利; Zan, Ming-lih
陳坤宏; Kung-Hung Chen; 鄉土文化研究所碩 / 博士班
主題: 文人畫; 壁畫; 壁畫藝術; 府城; 民間畫師; 彩繪; folk painter; Fu Cherng; the art of wall painting; wall painting; painting
描述: 台灣寺廟彩繪的表現手法，大抵是傳承於大陸閩粵的藝術形式，經過長時間的轉化、蛻變、及彩繪藝師個人特色的凸顯，乃形成地域性風格。從壁畫所佔的面積較大、社會教育弁鉣膌�、題材多元、筆墨線條展現濃郁的文人畫畫風及個人技巧等各方面觀之，壁畫彩繪無疑地在整體寺廟裝飾風格的建構中，具有畫龍點睛的意義。台南府城被譽為文化古都，古蹟寺廟之質與量在全台獨占鰲頭。而府城地區的傳統畫師向來就最負盛名，並留下釵h優秀的壁畫作品。因囿於釵h不利因素之危害，及近年國內古蹟修護，重點大多放在結構體的維修，但對於壁畫彩繪之保存、修補與重繪，一直未有妥善的解決方法。因此對現存府城古蹟寺廟中的壁畫之研究與紀錄，實有其刻不容緩之必要性與重要使命。本研究透過文獻研究、實際案例田野調查、畫師訪談、空間美學分析等研究方法，從中了解台灣及府城古蹟寺廟壁畫之源流，剖析壁畫所蘊含的文化與空間意義。針對府城古蹟寺廟壁畫建立資料庫，探討中國傳統及府城寺廟壁畫的施作工序、技術演變，及府城畫師的創作特色。經由分析比較發現，由於繪畫史的詮釋與述論之權柄掌握在文人畫家之手，壁畫生命週期短暫，大面積的壁畫屬高消費的工作，缺少傳統建築工匠之文獻紀錄等因素，導致清代府城傳統建築壁畫彩繪之歷史晦暗不明；加上中國文化的永恆是從「生生不息」、「自然往復」中建立的，對建築之材料是採取暫時性的除舊佈新的態度，因而傳統寺廟採木架構且代代翻修新建，而不利於壁畫之保存。因此實需要政府與民間齊心合力，加快腳步，以維護及保存府城珍貴的壁畫遺產。
The expression methods of the wall paintings in Taiwan’s temples were mostly transplanted from Fookien and Canton; but gradually formed the local features with the changing of time, place and individual painters’ characteristics. Wall paintings, because of their large area, rich in social education, various resources, literal style, and personal skills, etc., were such like adding eyeballs to the picture of a dragon in the whole decorative structure of temples.Tainan, the said ancient cultural city, had the most qualitative and quantitative old temples and the most famous painters in Taiwan. They left numerous precious wall paintings in the temples. But, due to the lack of proper preservation, the overlook of their importance, and many other inferior factors on the wall paintings of the temples, it’s necessary and immediately responsible for investigating and recording on the wall paintings of temples in Fu Cherng.The aim of this study is to realize the origination of the wall paintings of temples in Taiwan and Fu Cherng, and analyze their cultural and spatial meanings through literature review, case study fieldwork, in-depth interview of painters and spatial esthetic analysis. Another purpose of this study is to construct the database on the wall paintings of temples in Fu Cherng, and to explore the operating procedures, transformation of techniques on the wall paintings, and painters’ characteristics of original work in Fu Cherng.We obtained some important findings. There had been some phenomena including: the interpretation and edition of painting history was on literal painters, the cycle for wall paintings were short, the large-area wall paintings were of high-consumption practices, and lack of literary records from traditional architects, and so on. These had made obscure in the history of traditional wall paintings of temples in Fu Cherng in Ching Dynasty. Besides, Chinese culture was based on “recycle and ceaselessness” and “natural recovery” conceptions, and the architectural materials adopted were those easily renewed, so traditional temples were built of wood and reconstructed by generations, it’s not benefit for preserving on wall paintings. This is a pressing task for the government and the social popular together working on the preservation of precious wall paintings of temples in Fu Cherng.
碩士
建立日期: 2003
格式: 121 bytes
text/html
語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/5182
資源來源: NUTN IR

連結

連回原始介面

府城寺廟壁畫之研究

昝明利; Zan, Ming-lih 陳坤宏; Kung-Hung Chen; 鄉土文化研究所碩 / 博士班 2003

正在檢索遠程資料庫，請稍等