場域、選擇與置入－林煜迦藝術思考與創作論述

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題名:
場域、選擇與置入－林煜迦藝術思考與創作論述
著者: 林煜迦; Lin, Yu-chia
高實珩; Shih-heng Kao; 視覺藝術研究所（91~94年底）
主題: 選擇; 置入; 藝術創作; 場域; ingression; site; art creation; selection
描述: 本文旨在探討作者於二○○二年至二○○五年期間的作品與創作歷程，以及對「場域、選擇與置入」創作觀點之思考。希望能以多元的角度進行探究，對當下社會場域的真實性，提出一些個人的觀感與研究心得。主要研究方法以詮釋性分析、內省分析、比較分析及實踐法為主，從論述及創作實踐的相互論證中，詮釋個人作品表現之形式與內容，總構「場域、選擇與置入」之藝術觀點的演化創生。本文主體之第二章裡以幾種不同層面之「場域」觀念為基礎，反思個人創作思考的本質；第三章是藉創作的行為、狀態和議題的多元觀點，剖析「選擇與置入」的創作理念，並評析當下藝術創作相關現象與其所面臨的問題，以驗證本文的論點；第四章主要闡釋個人創作歷程與作品實踐。本文藉由社會學、美學、哲學與美術心理學等相關學理之綜合分析，探討藝術創作的課題，並結合個人創作的實現，期待創作觀點能與實際創作結果進行相互驗證。而個人近期的作品傾向於事件和空間探討，將靜態畫面、錄像作品與物件裝置以類比的語法並置，構築出作品的獨特語彙以及遊戲、互動的呈現方式，正可以作為個人觀察社會狀態、反映現實的一個註腳。個人除了對「場域、選擇與置入」的藝術觀點作解讀與詮釋外，也希望提出相關作品作為「場域、選擇與置入」的延伸思考與傳達，期許能與台灣當代藝術介入社會空間場域的相關議題進行對話。
This study research is intended to discuss my works from 2002 to 2005 and the process of creation from the viewpoint of “site, selection, ingression.” From this multiple and wider perspective, I hope to take a close look at the genuineness of the current society as a site in order to throw some insights from what I have learned. The main research methods employed in this research are interpretative analysis, introspective analysis, comparative analysis, and art practice. Through the theories and practice interaction, the style and content of the artist’s work is interpreted and the viewpoint of creation “site, selection, ingression” is formulated. Chapter Two is mainly about basing. The nature of the creator is examined in different perspectives. The concept of “site” is to reflect on by employing varied perspectives of the behavior, condition, and issues of the creation. Chapter Three discusses the idea of selection and ingression and the relevant issues involved in contemporary art to test and verify the arguments I proposed in my art. In Chapter Four, the focus is placed on the interpretation of my work and process of creation. By introducing social, aesthetic, philosophic, and art psychological theories, a comprehensive analysis is carried out to discuss the issue of art creation; the practical experience of the artist’s creation process also helps to test and verify the interaction between creation viewpoint and the hands-on art creation process. My recent works tend to focus on the discussion of events and space, using analogic device to transform motionless pictures, videos, and object arrangements into unique, putting into play, and interactive forms. Such approach is indeed a footnote which records my observation of the changing society and reflects the real world. In addition to the analysis and interpretation of the viewpoint—site, selection, and ingression, I hope that, by putting my own work in this research, I can help to bring life and new ideas to the viewpoint of site, selection, and ingression so that Taiwan’s modern art field can play a role in relevant discussions of social site.
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建立日期: 2005
格式: 121 bytes
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語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/5423
資源來源: NUTN IR

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場域、選擇與置入－林煜迦藝術思考與創作論述

林煜迦; Lin, Yu-chia 高實珩; Shih-heng Kao; 視覺藝術研究所（91~94年底） 2005

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