光影視象古韻芬創作論述

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題名:
光影視象古韻芬創作論述
著者: 古韻芬; Ku, Yun-fen
朱紋皆; none; 美術學系視覺藝術教學碩士班
主題: 風景; 光影; Light and Shadow; Scenery
描述: 本創作論述是創作者針對二○○七年至二○○九年期間作品所作的文字論述。主要透過藝術史及繪畫理論的研究基礎，藉由相關理論及創作構成要素的探討，作為創作的思考模式，並將之轉換為自我創作的養分，重新對繪畫創作加以檢視，同時亦包括了對作品的詮釋與分析，以達提昇創作內涵之目的。懷著一顆好奇、敏銳的心四處旅遊，風景中每一樣牽動著光影的景物元素，都是開啟創作者內心靈動的時刻，光影的視象是創作者長期感受這來自大自然美好能量所引發的一股內在情緒悸動，不管是溫暖熱情的明亮陽光，亦或是沉穩內斂的影子，創作者以最自然的筆觸來表現，進而創作出光影的瞬間意象。本創作論述承載著創作者內心忠實的想法與感知，作品上有些是實景、有些是融入的理想，從直覺出發經過無限可能的電腦數位影像處理，然後以油彩鋪陳出最後的想法。透過文字敘述的釐清，以及歷史研究法、行動研究法，再結合理論架構的探討與創作實踐相互映證對照，藉此對自我創作有更深一層瞭解，希冀拓展未來的創作方向。本論文撰寫的內容主要架構包括－緒論：闡述本論文之動機與目的、研究方法與理念發展之步驟、研究範圍及架構。第一章：文獻探討，此章將本創作研究相關的文獻做彙整，內容包括探討林布蘭戲劇性的光影、維梅爾的光影研究、印象主義及莫內、席斯里風景作品中自然光影的研究。第二章：創作主題理念與實踐之探討，此章將針對創作的構成形式及內容層面進行剖析，並對作品加以詮釋。第三章為敘述作品的創作理念和形式，並對作品加以解析。結論：針對本論文之研究，歸納出綜合性結論以及對自己未來創作發展之期許。
The artistic essay belongs to a literary writing developed by the works from 2007 to 2009. To achieve promoting the content of composition, the creator transformed the thinking mode to the nutrition of self-creation including the process of re-assessing, analyzing, and describing by searching from art history, painting theory, and structural elements of creation. To arriving to the purpose of understanding deeper and broader within the self-creation in the future, the research and the comparison went through the historical research, action research, the theoretical structure, and practical creation. This essay includes thoughts and senses of the creator. The final imagination was dealt with both by the digital process, and oil painting through the unlimited possibility of intuition, which combines the real scenery and imaginative ideal together. For creator, the view to light and shadow comes from the emotional impact inspired by natural energy. No matter the glorious sunshine or the static shadow, the instant image presentation was created by the pure stroke. Every moment of the inner mind for creation is the trigger opened by natural elements of scenery involved in light and shadow, when traveling with a curious and sensitive heart in any situation. The main system of this essay contained as follows – Preface: Brief description of motivation, purpose, direction, process, range, and structure of the research. Chapter 1: Literature Review. This part contains the integration of literature from research, including researches of light and shadow relative to Rembrandt, Vermeer, Monet, and Sisley. Chapter 2: The research and practice of the thematic creation. The main content is the representation from the analysis from primary structure and different layers through the creation. Chapter 3: Description of the ideal and form from creation with analysis. Conclusion: The generalization of the research, and a personal expectation toward the future.
碩士
建立日期: 2009
格式: 121 bytes
text/html
語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/2663
資源來源: NUTN IR

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光影視象古韻芬創作論述

古韻芬; Ku, Yun-fen 朱紋皆; none; 美術學系視覺藝術教學碩士班 2009

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