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斯克里亞賓《第二號鋼琴奏鳴曲》作品十九之研究

賴美瑜; Lai, Mei-yu 吳京珍; none; 音樂學系碩士班 2012

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  • Title:
    斯克里亞賓《第二號鋼琴奏鳴曲》作品十九之研究
  • Author: 賴美瑜; Lai, Mei-yu
  • 吳京珍; none; 音樂學系碩士班
  • Subjects: 鋼琴奏鳴曲; 斯克里亞賓; Piano Sonata; Alexander Scriabin
  • Description: 亞歷山大‧尼可拉耶維契‧斯克里亞賓 (Alexander Nikolayevich Scriabin, 1872-1915 )為十九世紀末的作曲家，他用音樂表現其對宗教、哲學與文學的狂熱，尤以晚年的創作風格充滿艱深難懂的和聲語言，也使其早中晚三個時期的創作風格差異甚大。斯克里亞賓《第二號鋼琴奏鳴曲》作品十九完成於一八九七年，為斯克里亞賓早期鋼琴作品，充滿浪漫派色彩，重視主屬關係的功能和聲效果。 本論文首先界定研究之方向與範圍，之後藉由文獻探討瞭解十九世紀末餓國音樂之發展、鋼琴奏鳴曲的歷史演變，再從斯克里亞賓生平各階段與學習過程，探究其鋼琴音樂的創作，最後針對《第二號鋼琴奏鳴曲》作品十九之創作背景、曲式架構、節奏、旋律四方面作樂曲分析，並就樂曲中力度、速度、神秘和絃及踏板的運用進一步做詮釋探討。 經本研究發現，斯克里亞賓的《第二號鋼琴奏鳴曲》作品十九的兩個樂章間有著密不可分的關係，同樣以三連音作為主要動機、使用垂直堆疊及橫向進行的三全音，曲式上也有著相似的結構，並且也以海洋作為全曲的創作背景，再搭配上斯氏慣用的旋律及節奏手法，作品呈現出豐富且神秘的風格樣貌。
    As a musical composer in the late 19th century, Alexander Nikolayevich Scriabin (1872-1915) expressed his enthusiasm in religion, philosophy and literature via his music. Especially with the esoteric harmony and tonality in his later period, his composition style varied greatly throughout his musical life. As one of Scriabin''s piano pieces in the early stage, “Sonata No.2, Opus 19” was composed in 1897. It was filled with full of romance, and put the main attention on the relationship between functional harmonies. The dissertation firstly defines the subject and scope of the research, followed by reviewing the literature to understand the development of Russian music in the 19th century, the historical evolution of the piano sonata. It will also carry out a research on the compositions of Scriabin’s piano music and analyze the “Sonata No.2, Opus 19” from the composition background, forms, rhythms, and melodies. The author will attempt to discuss further on the piece of music by its dynamic changes, speed, mystic chords, and the use of pedals. The research found that the two movements of Scriabin’s “Sonata No.2, Opus 19” are correlated to each other. Similarly to the triplet as the main motivation for using the vertical and horizontal stacking of tritone, the form also has the same structure, as well as the theme of ocean as the background of the piece. Along with the Scriabin’s habitual melodic and rhythmic approach, this creative work showed a rich and mysterious style.
    碩士
  • Creation Date: 2012
  • Format: 121 bytes
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  • Language: 中文
  • Identifier: http://nutnr.lib.nutn.edu.tw/handle/987654321/987
  • Source: NUTN IR
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