skip to main content
訪客
個人書架
我的帳戶
登出
登入
This feature requires javascript
檢索首頁
圖書館首頁
電子期刊
引用參考文獻查詢
指定參考書查詢
新書通報
標籤查詢
線上輔助
語言:
English
繁體中文
This feature required javascript
This feature requires javascript
Primo Search
館藏+文章
館藏+文章
館藏
查館藏
文章
查文章
機構典藏
機構典藏
Search For:
Clear Search Box
Search in:
機構典藏
Or hit Enter to replace search target
Or select another collection:
Search in:
機構典藏
進階檢索
瀏覽查詢
This feature requires javascript
This feature requires javascript
斯克里亞賓《第二號鋼琴奏鳴曲》作品十九之研究
賴美瑜; Lai, Mei-yu 吳京珍; none; 音樂學系碩士班 2012
線上取得
線上檢視
詳細格式
評論和標籤
相關文章推薦
FullText@NUTN
This feature requires javascript
傳送到
加入個人書架
從個人書架中移除
E-mail
列印
永久連結
引用
EndNote
導出 RiS
This feature requires javascript
題名:
斯克里亞賓《第二號鋼琴奏鳴曲》作品十九之研究
著者:
賴美瑜
;
Lai, Mei-yu
吳京珍
;
none
;
音樂學系碩士班
主題:
鋼琴奏鳴曲
;
斯克里亞賓
;
Piano Sonata
;
Alexander Scriabin
描述:
亞歷山大‧尼可拉耶維契‧斯克里亞賓 (Alexander Nikolayevich Scriabin, 1872-1915 )為十九世紀末的作曲家,他用音樂表現其對宗教、哲學與文學的狂熱,尤以晚年的創作風格充滿艱深難懂的和聲語言,也使其早中晚三個時期的創作風格差異甚大。斯克里亞賓《第二號鋼琴奏鳴曲》作品十九完成於一八九七年,為斯克里亞賓早期鋼琴作品,充滿浪漫派色彩,重視主屬關係的功能和聲效果。 本論文首先界定研究之方向與範圍,之後藉由文獻探討瞭解十九世紀末餓國音樂之發展、鋼琴奏鳴曲的歷史演變,再從斯克里亞賓生平各階段與學習過程,探究其鋼琴音樂的創作,最後針對《第二號鋼琴奏鳴曲》作品十九之創作背景、曲式架構、節奏、旋律四方面作樂曲分析,並就樂曲中力度、速度、神秘和絃及踏板的運用進一步做詮釋探討。 經本研究發現,斯克里亞賓的《第二號鋼琴奏鳴曲》作品十九的兩個樂章間有著密不可分的關係,同樣以三連音作為主要動機、使用垂直堆疊及橫向進行的三全音,曲式上也有著相似的結構,並且也以海洋作為全曲的創作背景,再搭配上斯氏慣用的旋律及節奏手法,作品呈現出豐富且神秘的風格樣貌。
As a musical composer in the late 19th century, Alexander Nikolayevich Scriabin (1872-1915) expressed his enthusiasm in religion, philosophy and literature via his music. Especially with the esoteric harmony and tonality in his later period, his composition style varied greatly throughout his musical life. As one of Scriabin''s piano pieces in the early stage, “Sonata No.2, Opus 19” was composed in 1897. It was filled with full of romance, and put the main attention on the relationship between functional harmonies. The dissertation firstly defines the subject and scope of the research, followed by reviewing the literature to understand the development of Russian music in the 19th century, the historical evolution of the piano sonata. It will also carry out a research on the compositions of Scriabin’s piano music and analyze the “Sonata No.2, Opus 19” from the composition background, forms, rhythms, and melodies. The author will attempt to discuss further on the piece of music by its dynamic changes, speed, mystic chords, and the use of pedals. The research found that the two movements of Scriabin’s “Sonata No.2, Opus 19” are correlated to each other. Similarly to the triplet as the main motivation for using the vertical and horizontal stacking of tritone, the form also has the same structure, as well as the theme of ocean as the background of the piece. Along with the Scriabin’s habitual melodic and rhythmic approach, this creative work showed a rich and mysterious style.
碩士
建立日期:
2012
格式:
121 bytes
text/html
語言:
中文
識別號:
http://nutnr.lib.nutn.edu.tw/handle/987654321/987
資源來源:
NUTN IR
連結
連回原始介面
This feature requires javascript
This feature requires javascript
返回到檢索清單
This feature requires javascript
This feature requires javascript
正在檢索遠程資料庫,請稍等
查詢:
在
scope:(NUTN_IR)
顯示現有記錄
This feature requires javascript
This feature requires javascript