skip to main content
語言:
資源種類 顯示結果: 顯示結果: 查詢種類 索引

懷素〈小草千字文〉與于右任《標準草書》 內蘊精神之比較 = Huai su's "thousand character classic in cursive" versus yu youren's "standard cursive script"similarities and differences of inner spirit

鄭漢民 國立臺南大學 國語文學系碩士班 民110[2021]

可在 府城總館  2樓參考書區  (DC CLL 109005 )取得(請點選下列選項)

  • 題名:
    懷素〈小草千字文〉與于右任《標準草書》 內蘊精神之比較 = Huai su's "thousand character classic in cursive" versus yu youren's "standard cursive script"similarities and differences of inner spirit
  • 著者: 鄭漢民
  • 國立臺南大學 國語文學系碩士班
  • 主題: 懷素 于右任 小草千字文 標準草書 內蘊精神; Huai Su Yu Youren Thousand Character Classic in Cursive Standard Cursive intrinsic spirit.
  • 描述: 摘要 草書藝術之風神迷人處，不僅於表象外在形勢之美，還須兼具其內蘊精神之美。歷來善書者或評論家，莫不注重於內在與外在形式考究，要言之，古人論書偏重於抽象之內在性情的神采體會，不僅止於眼觀之技術層面而言。懷素與于右任皆為草書名家，兼善草書內功與外功修為，各具時代生活背景、學習環境、身分地位及對後世的影響卻是有求同存異之處。 本文試從懷素、于右任之創作心路歷程及參酌前人對兩人論述入手，探索懷素於晚年書寫〈小草千字文〉的內因外緣，及于右任創作《標準草書千字文》其編成之歷程與動機，梳理出清晰的脈絡，分析兩者間內蘊精神的共通性與差異性之比較。共分四大主題，首先緒論綜述與評析文獻，次論懷素與于右任書寫歷程與異同。再談兩位的《千字文》殊相中有共相。四是分析兩位草聖超越古法的新變。晚年懷素與于右任是草書藝術的新變者，樹立創新求變的典範，值得後代書家們效法學習與研究。.
    ABSTRACT The charm of the casual elegance of cursive art lies not only in the beauty of the appearance and the external situation, but also the beauty of its inherent spirit. There have always been good calligraphers or critics who always pay attention to elegant inner form. In short, the ancient people's essays emphasized the spiritual experience of the abstract and inner temperament, and not only in terms of the technical aspect in appreciation. Both Huai Su and Yu Youren were masters of cursive script and skilled at both internal and external cursive script. Both had different backgrounds in life, learning environments, status and influences on later generations, which means differences in commonality. This article attempts to start with Huai Su’s and Yu Youren’s creative mindset and the discussion of the two of them by predecessors, exploring the internal and external factors influencing Huai Su’s writing of "Thousand Character Classic in Cursive" in his later years, and Yu Youren’s creation of "Standard Cursive Script Thousand Character Essay" and its compilation process and motivation, organizing a clear context, and analyzing the commonalities and differences of the inner spirit between the two. It is divided into four major themes. Firstly, the introduction summarizes and reviews the literature. Secondly, is to summarize the writing process and similarities and differences in later years. and further about the similarities of the two thousand-character writings in their differences. The fourth how the new changes of the two cursive calligraphy sages transcended beyond ancient law are discussed. Huai Su and Yu Youren are the new changers of cursive art, and they have established a model of innovation and change. It is worth learning and researching by future calligraphers..
  • 出版者: 碩士論文--國立臺南大學國語文學系碩士班.
  • 建立日期: 民110[2021]
  • 格式: [11],76葉 : 圖 ; 30公分..
  • 語言: 中文
  • 資源來源: NUTN ALEPH
連結
返回到檢索清單
上一頁前一個記錄 檢索清單  7 下ㄧ個記錄下ㄧ頁
    臺南大學版權所有 © 2016 NUTN All Rights Reserved

正在檢索遠程資料庫，請稍等