液化的慾望身體─創作研究論述

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題名:
液化的慾望身體─創作研究論述
著者: 李宗達; Lee, Tsung-da
朱紋皆; Wen-Chieh CHU; 美術學系碩士班
主題: 潛意識; 慾望; 表現; 裸體; Subconsciousness; Desire; Expression; Nude
描述: 本篇創作論文是創作者針對二○○六至二○○八年期間作品所作的文字論述。以自身身體、潛藏的內在慾望為原始材料，透過個人主觀的表現轉化內心的情感感受，以「液化的慾望身體」為主題與創作的動力思想基礎，進行創作的思考與系列發展。從情感慾望與赤裸身體的觸碰裡、外在環境的刺激與自我的表現中、進行學理的探究與創作實踐，輔以歷史文獻的研究、行動研究與自我分析方法進行研究。論述始於緒論，說明創作研究的動機、目的、方法、範圍與架構。其後分三章書寫主要內容：第一章：文獻探討包括了裸體繪畫的起源與發展，推演至與自身作品關係密切的裸體肖像畫、表現主義的藝術脈絡、特點與代表派別藝術家、精神分析理論中─佛洛依德原慾理論；第二章：形式內容包括了赤裸情慾繪畫、裸體作為情慾表現的藝術家、形式語言的勾勒等，在赤裸情慾繪畫中探討裸體與情慾的藝術；裸體作為情慾表現的藝術家中，分別挑選了孟克、克林姆與席勒來做為討論對象，並說明與自身的關係；在形式語言的表現以個人作品中的痕跡、色彩、變形等三個元素作討論：第三章：創作實踐的歷程裡，以系列的作品發展為軸線，輔以媒材轉換和相關書籍閱讀後深入思考作為發展，在不斷創作中反思與提出疑問。並在系列作品中提出單張作品理念、說明。在創作的實踐過程中，重新體認了藝術的本質，對於創作的態度與步驟過程有更深層的理解。除了增進表現方法的認知與運用之外，理論知識的彼此參照，更有助於釐清創作中的心理與精神狀態，以及思維的脈絡，使得創究研究有完整的成果。此階段性的成果，亦為往後創作方向提供了一個脈絡與架構，論述最後提出綜合性結論，自我在創中的意義，並對未來創作方向提出展望。
The essay author did speak of pieces during the period of 2006 to 2008. Author transforms the desire hidden in the body and depth of the heart into subjective emotion.“Liquid of Desirable Body” is the foundation of topic and creation to conduct innovative thoughts and deeply development. By feeling nude body, desirable emotion, stimulus of outer environment and self-perform to conduct research and innovation. With historic records, active research and analyze to do the research. Discussion begins with introduction. It documents the reason, purpose, method, range and framework and divides it into three chapters to discuss main concept.First chapter will speak of historical records, including the origin and development of nude painting. And go further discuss nude painting, Expressionism, features, artists and the Freud’s theory of how the human mind is organized and operates internally which are most relevant to my pieces.Second chapter will speak of form, including nude and lust paintings, artists who are good at exhibiting erotic expressions. Take the examples of Schiele, Munch and Gustav Klimt to discuss nude and erotic art and explain the relevance to me. And also discuss three elements of my pieces: trace, color and distortion. Third chapter will speak of the process of creation. Take advantage of serial pieces of development as a point. With change of materials and relevant books to think deeply, after deep think constantly and give questions. And talk about the ideas and explanations of serial pieces respectively.Re-experience the main quality of art during the period of process of creation and realize the attitude of creation. Besides improving expression methods and logical thought, comparing with theoretical knowledge will understand the condition of psychology and spirit; therefore; sequence of thoughts will enhance the completeness of research. The achievement in this stage will offer a framework to do artistic creation. State the final comprehensive conclusion and the meaning of self artistic creation to offer fruitful artistic creation direction.
碩士
建立日期: 2009
格式: 121 bytes
text/html
語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/2647
資源來源: NUTN IR

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液化的慾望身體─創作研究論述

李宗達; Lee, Tsung-da 朱紋皆; Wen-Chieh CHU; 美術學系碩士班 2009

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