戲劇再現地方感—以北港高中沙崗劇坊《回港》編創與展演為例

傳送到

題名:
戲劇再現地方感—以北港高中沙崗劇坊《回港》編創與展演為例
著者: 張詩瑤; Chang, Shih-Yao
王婉容; Wang, Wan-Jung; 戲劇創作與應用學系碩士班
主題: 舞台美學; 文本詮釋; 編創歷程; 社區劇場; 戲劇教育; 地方感; textual interpretation; drama devising process; community theatre; drama education; sense of place; characteristics of performances
描述: 「地方」是人們觀看、認識和理解世界的方式，也是文化地理學者在研究「地方感」時重要的論點。所謂的「地方感」，乃是一種人與空間的感官經驗、人與人之間的依附認同以及人與時間在情感記憶關係上的聚合。大衛．西蒙（(David Seamon)）更將人、時間及空間所產生良好地方感的空間視為「地方芭蕾」。本研究主要以大衛．西蒙「地方芭蕾」中的「人」、「時間」及「空間」三大論述架構，探討並分析北港高中沙崗劇坊《回港》編創歷程、文本詮釋及舞台美學中蘊含的地方感，亦即透過「戲劇再現地方感」的展演，探索沙崗劇坊地方感的呈現及其可能形塑之過程。本研究採質性研究法，研究歷時一年，歷程涵括了戲劇展演中訓練、編創及演出三項實踐內涵。運用相關戲劇策略於社團活動課程、進行地理實察工作，蒐集有關北港地方史料及敘事故事，並以社區劇場工作坊之應用戲劇形式著手進行劇本編創，最後發表《回港》之展演作品。　　研究結果發現，透過對《回港》編創歷程、文本詮釋及舞台美學之地方感分析，沙崗劇坊的地方感在「感官經驗」與「情感記憶」兩部分皆呈現出與北港媽祖廟有關的虔敬信仰心意及地方文化的傳承心念，其形塑過程則表現於「身體芭蕾」、「地方生活時序」及互動所形成之「環境韻律」三部分。
“Place” is the way for people to see, know, and perceive the world. It also serves as the important theoretic foundation for the cultural geographers to investigate “ sense of place”. “Sense of place” is an individual’s perceptions or experiences a place evokes, the anaclitic identification among people, and the links relating people’s emotions and memories to the time. David Seamon regards good sense of place, derived from the relationship among people, time, and space, as place-ballets. Based on the three fundamental elements consisting in David Seamon’s place-ballets (i.e., people, time, and space), the present study aimed to investigate the processes of devising and performing Back to Beigang by Sar-Kun Drama Club of National Beigang Senior High School. Furthermore, the devising process of Back to Beigang, its textual interpretation, and the characteristics of its performance were also analyzed to explore how Sar-Kun Drama Club represented sense of place and its possible shaping process. This qualitative study lasted one year, and the data collection procedures included three stages: the training on performance, the drama devising process, and the performance of Back to Beigang. In addition, the relative drama strategies were implemented in the lessons of Sar-Kun Drama Club, and the historical materials and stories about Beigang were collected to devise the drama in the form of community theatre. Back to Beigang was then derived and performed on the stage.The research findings showed that sense of place in Back to Beigang revealed the deep relationships between the Beigang Chao-Tian Temple and people’s sincere worship and the ideas of passing on the local culture. Moreover, the shaping process of sense of place in Back to Beigang was demonstrated mainly in three dimensions, “body-ballets”, “local temporal order”, and “environmental rhythm”.
碩士
建立日期: 2014
格式: 121 bytes
text/html
語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/5836
資源來源: NUTN IR

連結

連回原始介面

戲劇再現地方感—以北港高中沙崗劇坊《回港》編創與展演為例

張詩瑤; Chang, Shih-Yao 王婉容; Wang, Wan-Jung; 戲劇創作與應用學系碩士班 2014

正在檢索遠程資料庫，請稍等