語言:

吳榮交趾陶匠藝研究 = A study of Wu Jung – Taiwan koji pottery

施良達國立臺南大學文化與自然資源學系臺灣文化碩士在職專班民109[2020]

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題名:
吳榮交趾陶匠藝研究 = A study of Wu Jung – Taiwan koji pottery
著者: 施良達
國立臺南大學文化與自然資源學系臺灣文化碩士在職專班
主題: 交趾陶吳榮; Taiwan Koji pottery Koji pottery Wu Jung
描述: 交趾陶工藝是一門臺灣的傳統精緻工藝，其應用從早期的廟宇裝置藝術，到現在的民間蒐藏藝術珍品。題材從早期的祥獸、神話傳說、民間故事，到現在融入當代生活空間的藝術創作。早期的交趾陶工藝，是工藝師傅窮畢生功力製作給神明看的作品，由南到北，各大著名廟宇都留下有這類珍貴的文化資產，其中學甲慈濟宮所珍藏的葉王交趾陶作品最具代表性，有六件作品被文化部認定為國寶。隨著時代的轉變，廟宇的興建或裝修制度，趨向財團法人經營管理的方式發展。過去禮聘名師的傳統，逐漸轉為招標或比價制度，以致廟宇的裝修，交趾陶的這項傳統工藝，改以壓模、及量產化的製作方式，取代過去高成本的創作。大約自1980以來，嘉義交趾陶名師林添木老師廣收弟子，讓葉王派系的傳統交趾陶工藝得以傳承並延續，其中吳榮為林添木當時最年輕的弟子。吳榮的交趾陶作品特色，除融入東方傳統戲曲外，並結合西方美學，以精湛的捏塑技法及燒窯技術，呈現人物動作張力十足的動感。其釉色除延續葉王派系的胭脂紅之外，更研發出一百種以上的釉色，是一位表現極為亮眼的工藝匠師。本文為吳榮的交趾陶匠藝研究，藉由文獻參考、深度訪談、實際參與、作品分析等方法進行研究，將吳榮的習藝過程、工藝特色、工法及工序、作品創作理念、內涵，及藝術貢獻，做有系統地整理。.
Koji pottery is a traditional and delicate craft in Taiwan which was used from early art installations at temples to folk collections of art treasures. Themes from early auspicious animals, myths, folk stories to artistic creation integrated into contemporary living spaces are included. The early Koji pottery was made by craftsmen with a great deal of effort for gods to appreciate. From the south to the north, each famous temple has kept these precious cultural assets. Yeh Wang Koji pottery collected by Tzu Chi temple in hsueh chia is the most representative among them, and there are six works that have been recognized as national treasures by the Ministry of Culture. As times change, temple construction or decorations tend to be managed by foundations. The tradition of cordially inviting masters to be involved has gradually turned into bidding or price comparison, which resulted in the replacement of this costly traditional craft by compression molding and mass production for temple decoration. Since 1980, lots of people have been apprenticed to Lin Tien Mu, a Koji master from Chiayi in order to pass on and continue Ye Wang traditional Koji pottery. Wu Jung was his youngest apprentice then. Besides the integration of the pottery into traditional Chinese theater, Wu Jung’s Koji pottery also features the combination of western aesthetic. He executes the pinching method and kiln drying technique well to present the vivid actions of statues. On top of carmine, the glaze color used for Ye Wang Koji pottery, more than a hundred glaze colors have been developed. He is an outstanding craftsman. This article focuses on a study of Wu Jung’s Koji pottery. The research was conducted through reference, in-depth interviews, participation, and artwork analyses to systematically organize Wu Jung’s learning process, art features, methods, procedures, design concept, substance and the contribution of art..
出版者: 碩士論文--國立臺南大學文化與自然資源學系臺灣文化碩士在職專班.
建立日期: 民109[2020]
格式: 124頁 : 圖 ; 30公分..
語言: 中文
資源來源: NUTN ALEPH

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吳榮交趾陶匠藝研究 = A study of Wu Jung – Taiwan koji pottery

施良達 國立臺南大學 文化與自然資源學系臺灣文化碩士在職專班 民109[2020]

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施良達國立臺南大學文化與自然資源學系臺灣文化碩士在職專班民109[2020]