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影像自身—攝影創作之研究

劉明清; Liou, Min-ching 潘青林; none; 美術學系視覺藝術教學碩士班 2010

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  • 題名:
    影像自身—攝影創作之研究
  • 著者: 劉明清; Liou, Min-ching
  • 潘青林; none; 美術學系視覺藝術教學碩士班
  • 主題: 德勒茲; 攝影; 影像自身; 攝影創作; image itself; crystallization; photography; Gilles Deleuze; photographic
  • 描述: 摘 要人處在這複雜的大環境，既多采多姿且詭譎多變，簡言譬喻：在處理面對的生存危機訊息。這訊息部分發自身邊的親人，部分來自族群的協調訊息，部分來自環境的警訊，因此對訊息之接受與反應是生存必要能力與條件。至於訊息之種類呈現既多元又複雜，但不外乎聲、光、觸、味覺訊息，簡言之，就是各項知覺符號，其中以視覺之圖像符號最顯著。圖像符號早期曾是結繩，也曾是語言、文字或繪畫，但今日科技進步到數位化多媒材使用及虛擬影像，訊息應該是影像符號概括說明它。21世紀影像消費時代，在圖像複製傳播之際，影像拍攝因科技數位化後益顯方便、普及，照相機操作簡易到一般民眾也可拍得清晰完整的圖像，攝影被承認是一門藝術，是否意味著：人人有機會拍出影像佳作？但按下照相機快門的瞬間思維、影像表達內涵為何？題材分類：是生活照？報導影像？或藝術創作？都各自有觀點，觀賞者解讀空間更廣袤。本文在藉德勒茲(Gilles Deleuze,1925-1995)之影像自身獨特¬¬¬¬觀點，加諸當代影像數位化特性，說明影像創作將攝者感性成為界面映射，讓人創作影像把一部分讓渡給機械，使影像更透明、成為獨立自身，被觀看時有新的「體驗」。
    Abstract　　The environment that people living is complex, colorful and varied since we need to handle message for survive. These messages are parts from family, parts from community for cooperation and parts from environment for warning. Hence, receiving and responding to messages is the necessary ability and condition to survive. There are many kinds of messages, but can be classified into the following areas in general: sounds, scenes, touch, smell, feelings. To be short, these are perception symbols, especially the pictures of visual symbol is most significant. The picture symbols could be tying knots for keeping records, languages, characters, or paintings. In addition, today''s technology has been adopting digital media and creates virtual images, so the picture symbols should include images. Taking photographs becomes popular and convenient for general public after the digital trends. It is so easy to operate a digital camera and then taking clean and complete photographs. Therefore photography had been generally accepted in the world of art. Is this mean everybody has chance to take great photograph? However, at the moment that you pressed the shutter, what are you trying to deliver? Are they daily life photos, photos for news reports, or artistic creations? Everyone have their own perceptions. This article adopts Gilles Deleuze''s point of view, make image become itself and let image viewers have novel experience.
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  • 建立日期: 2010
  • 格式: 121 bytes
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  • 語言: 中文
  • 識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/2115
  • 資源來源: NUTN IR
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