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張嘉驊《月光三部曲》之歷史意識探究 = A Probe into the Historical Consciousness of Zhang Jiahua's "The Moonlight Trilogy"

陳桂芬 國立臺南大學 國語文學系中國文學碩士在職專班 2022[民111]

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  • 題名:
    張嘉驊《月光三部曲》之歷史意識探究 = A Probe into the Historical Consciousness of Zhang Jiahua's "The Moonlight Trilogy"
  • 著者: 陳桂芬
  • 國立臺南大學 國語文學系中國文學碩士在職專班
  • 主題: 張嘉驊 月光三部曲 少年小說 歷史意識; Zhang Jiahua The Moonlight Trilogy Young Adult Fiction Historical Consciousness
  • 描述: 臺灣兒童文學中的歷史奇幻小說,少以針對臺灣殖民歷史進行大篇幅描述的作品,提及二二八事件的創作更是稀少,張嘉驊的《月光三部曲》分別以西班牙殖民時期、清領時期、日據時代及國民政府時期的臺灣作為主角穿越的時空背景,使讀者能透過小說看見過去的歷史傷痕如何影響著現在。 本論文以《月光三部曲》系列書籍作為研究文本,以文本分析法、文獻探討法為研究方法,並以後殖民主義與新歷史主義作為探究文本的角度。探究張嘉驊於小說中使用的敘事技巧,包含情節的鋪陳、奇幻元素的設定及人物表現,探討小說中出現的歷史幽魂及女性形象象徵所隱含的歷史意識,並深究張嘉驊欲在小說中傳遞的主題。 張嘉驊所安排的歷史幽魂象徵著各時期的歷史傷痕,因主角的傾聽、理解得以安息,正如需要接納傷痕的存在,才有機會讓傷口癒合。張嘉驊讓人認識殖民主義下的臺灣後,也在其中傳達了內心的盼望:將歷史的負債化為資產,追尋和解共生的可能。
    The historical fantasy novels in Taiwanese children's literature are rarely those that describe Taiwan's colonial history at length, and the creations that mention the February 28 incident are even rarer. Zhang Jiahua's "Moonlight Trilogy" is based on the space-time background that the protagonist travels through Taiwan during the different times allows readers to see how the historical scars of the past affect the present through the novel. This dissertation takes the "Moonlight Trilogy" series of books as the research text, uses the text analysis method and the document discussion method as the research method, and takes postcolonialism and new historicism as the angle of exploration of the text. Explore the narrative techniques used by Zhang Jiahua in his novels, including the layout of plots, the setting of fantasy elements and the performance of characters, discuss the historical consciousness implied by the historical ghosts and female image symbols that appear in the novels, and deeply explore what Zhang Jiahua wants to convey in the novels. theme. The historical ghost arranged by Zhang Jiahua symbolizes the historical scars of various periods. The protagonist can rest in peace due to the listening and understanding of the protagonist. Just as the existence of scars needs to be accepted, there is a chance to heal the wounds. After Zhang Jiahua made people aware of Taiwan under colonialism, he also conveyed his inner hope: to turn historical liabilities into assets, and to pursue the possibility of reconciliation and symbiosis.
  • 出版者: 碩士論文--國立臺南大學國語文學系中國文學碩士在職專班.
  • 建立日期: 2022[民111]
  • 格式: 123面 ; 30公分..
  • 語言: 中文
  • 資源來源: NUTN ALEPH

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