生活意象-鄭肇文創作論述 = Imagery of Life-The Discourse of Creation by Zhao-Wen Zheng

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題名:
生活意象-鄭肇文創作論述 = Imagery of Life-The Discourse of Creation by Zhao-Wen Zheng
著者: 鄭肇文
國立臺南大學視覺藝術與設計學系碩士班
主題: 表現主義生活消費主義; expressionism life consumerism
描述: 本創作論述是筆者針對自己二○一二年至二○一六年間創作作品為研究範圍所書寫的文字論述。內容回溯個人創作時的動機與藝術意識，創作的表現方法和風格的演變，以及作品內涵的闡述等面向，進而對自己的創作，甚至自己的內心狀態，進行審視，反省剖析和對未來的期許。創作動機與意識的表達，主要是筆者對身處這樣一個消費主義為時尚的台灣，因外在環境，反射出了自己的內心情感，透過筆者的創作的手法和技巧，想將這樣的由外在往內審視自己的感受，用作品表現之經由創作過程，內心省視，也漸漸撥雲見日。一方面發現自己內心情感的缺陷，一方面是發現創作上的不足，逐步修正，讓自己透過創作修復補足，也透過誠實面對自己，讓作品更貼近自己想要做，想表達的理想作品。本論文撰寫的內容，主要架構包括，緒論:闡述研究動機、研究目的、研究方法、研究範圍和研究架構。第一章學理依據:將與筆者創作內容相關之美術史上的主題分題材整理與論述，主要包含「人體」、「生活」、「靜物」。第二章形式內容: 將與筆者創作所使用之表現手法，例如形、色、線的行成，從過往的美術史的其相關文獻資料作整理和分析對照，主要包含「印象主義」「後期印象主義」「表現主義」。第三章創作實踐:透過分析自己的心理，從完成的作品反省自己的深層內在，甚至以第三者省視的作品，改變的歷程，承接第一、二章的論述來剖析、對照映射，檢視自己的作品。結論針對整個論文作統合；簡潔重要性的論點，反思是否達到研究之目的，是否對自己的創作有了過往的分析和未來的期許和延續，同時也對省視自己的人生方向是否找到出口和方向。.
This creation statement is based on the works that I created from 2012 to 2016. The contents review the motivation, the artistic awareness, the evolvement of presentation and styles of creations, and the connotation of works; further, it inspects the creations or even the innermost world, introspects, analyzes and expects for the future. The expression of creative motivation and awareness reflects the inner feelings on the consumerism as fashion in Taiwan due to the external environment; through the techniques and skills of creation, it is hoped to inspect self-feelings through presenting works, and the inner inspection is gradually clear through the processes of creation. For one thing, the shortcomings of inner feelings are found; for another, the insufficiency of the creations is found and gradually corrected. Correcting and complementing my creations are like facing myself honestly, which makes the works close to the idealities that I want to make and present. The contents of this study are as follows. Introduction states the research motivation, purpose, methods, scopes, and structure. Chapter one, related theories, sorts and discusses the themes of art history related to the creations, including “human bodies”, “life” and “still lives”. Chapter, forms and contents, sorts, analyzes and contrasts the creative techniques presented by the creator, such as shapes, colors and lines, with the related documents of art history, such as “impressionism”, “late impressionism” and “expressionism”. Chapter three, the practice of creations, reflects my innermost through completed works and analyzing my own psychology. According to the works inspection of the third part, the processes of change and the discussion of chapters one and two, it analyzes, contrasts, and inspects my own works. Conclusion summarizes the whole study, simplifies the important viewpoints, reflects whether the study purpose is reaches and whether it analyzes the pa
出版者: 碩士論文--國立臺南大學視覺藝術與設計學系碩士班, 104學年度
建立日期: 民104 [2015]
格式: v,88面 : 圖 ; 30公分..
語言: 中文
資源來源: NUTN ALEPH

連結

生活意象-鄭肇文創作論述 = Imagery of Life-The Discourse of Creation by Zhao-Wen Zheng

鄭肇文國立臺南大學視覺藝術與設計學系碩士班民104 [2015]

正在檢索遠程資料庫，請稍等

生活意象-鄭肇文創作論述 = Imagery of Life-The Discourse of Creation by Zhao-Wen Zheng

鄭肇文 國立臺南大學 視覺藝術與設計學系碩士班 民104 [2015]

正在檢索遠程資料庫，請稍等

鄭肇文國立臺南大學視覺藝術與設計學系碩士班民104 [2015]