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內化空間— 林建成創作論述 = Internalized Space

林建成 國立臺南大學 視覺藝術與設計學系碩士班 民104 [2015]

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  • 題名:
    內化空間— 林建成創作論述 = Internalized Space
  • 著者: 林建成
  • 國立臺南大學 視覺藝術與設計學系碩士班
  • 主題: 陰影 內化空間 情緒 療癒; shadow internalizedspace emotion healing
  • 描述: 本創作論述是創作者於二○一三至二○一六年期間作品的演變與總結。接近藝術如同自我心靈的解放,藉著繪畫,爆炸的「情緒」得以抒發,所以創作就像是自我療癒般的過程,讓不安的狀態進入另外一個空間,在這全然私密的空間裡,將所有接受到的感受轉化成圖像,當情感一一轉化情緒也漸漸安撫,情感的轉移後形成畫面中平靜的「內化空間」。 本論文撰寫內容架構為 ─ 緒論:首先敘述創作的研究動機與目的,說明創作論述的研究方法,然後界定創作的研究範圍,最後是創作的研究架構。第一章:透過社會學與心理學的理論,分析自我與他人的關係,探討人格如何的形成,次級人格中的「陰影」與情緒的轉化連結創作。第二章:以藝術史與藝術治療為學理依據,探討藝術家在作品上所傳達的情感表現與其自身周遭的環境如何連結,與自身在創作如何達到「療癒」效果。第三章:創作實踐,說明內化空間的創作脈絡,各個階段性的作品分析與敘述。結論:針對本論文做出綜合性的總結,從文獻探討與自身創作的連結,創作給人生的階段不同的展望。 每一張作品的完成,代表著一個故事,每一張作品的聚集形成了階段性的事件,即是人生的寫照。.
    This creation statement presents the evolvement and summary of the creator’s works from 2013 to 2016. Approaching art is like liberalizing self-soul; an explosion of emotions can be eased through painting, so creation is similar to the process of self-healing. It makes the uneasy status get to another space, in which all the received feelings are transformed into images; when feelings are transformed one by one, emotions are comforted gradually, and the peaceful “internalized space” in the picture is formed afterwards. The contents of the study are as follows. Introduction states the motivation and purpose of researching on the creation, the research method of the creation statement, the research scope and the study structure of creation. Chapter one analyzes the relationship of self and others through the theories of sociology and psychology, discusses how personalities form, and states the combination of transforming the secondary personality, shadow, and creation. Chapter two discusses how the presentation of feelings that the artist conveys on works and his surroundings connect, and how the personal creation achieves healing effects. Chapter three, creative practice, explains the creative context of internalized space, and the analysis and descriptions of works in every stage. Conclusion summarizes this study through the connection of documents and self-creation and the prospection that creation gives to different stages of life. Every completed work represents a story of one stage and forms the events of each phase, which is like the portraits of recording life..
  • 出版者: 碩士論文--國立臺南大學視覺藝術與設計學系碩士班, 104學年度
  • 建立日期: 民104 [2015]
  • 格式: iv,97面 : 圖 ; 30公分..
  • 語言: 中文
  • 資源來源: NUTN ALEPH

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