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康丁斯基抽象藝術風格結合互動視覺音樂創作與研究 = The Creation of Interactive Visual Music with Kandinsky Abstract Arts

張家維 國立臺南大學 數位學習科技學系碩士班 民105 [2016]

可在 府城總館  2樓參考書區  (DC ILT 105023 )取得(請點選下列選項)

  • 題名:
    康丁斯基抽象藝術風格結合互動視覺音樂創作與研究 = The Creation of Interactive Visual Music with Kandinsky Abstract Arts
  • 著者: 張家維
  • 國立臺南大學 數位學習科技學系碩士班
  • 主題: 數位藝術 互動藝術 接受美學 抽象藝術; DigitalArt InteractiveArt AestheticAcceptance AbstractArts
  • 描述: 聲音是不可見的,但聲音圍繞在我們生活之中,然而我們不知道聲音的形體, 透過數位藝術將聲音視覺影像化,讓聲音看得見甚至也可以與其進行互動。本研 究創作了以聲為主的數位藝術作品,並以藝術聯展的形式進行展出發表。 在藝術展覽中,展覽的每一個細節包含了展場設計、燈光效果等都有助於展 覽品質的提升,參觀展覽結束後以問卷之方式進行評估,問卷則採用研究者謝宗 遠所開發之問卷進行探討整體展覽的滿意度與探討接受美學、展覽流程、實體設 備可玩性以及作品位於展覽中給予參觀者的感受。.
    “Sounds” are invisible, but they surround among our lives, however we can’t clearly realize the form of the sound. Visualization of “Sounds” can be produced through Digital Arts to make “Sounds” visible or even interactive with people. This study create a voice-based composition of digital art and announced by the form of joint exhibition. During the art exhibition, details include the light effects and the design of exhibition area are helpful to promote the quality of exhibition. After exhibition spectators were asked to fill the questionnaire, these questionnaires would be analyzed to obtain the statistics. The questionnaire was designed by researcher Zong-Yuan SIE and adopted in this study to discuss satisfaction and procedures of the exhibition, reception aesthetic, playability of substantial device and spectator’s feeling from the composition in exhibition..
  • 出版者: 碩士論文--國立臺南大學數位學習科技學系碩博士班, 104學年度
  • 建立日期: 民105 [2016]
  • 格式: vii,[38]葉 : 圖 ; 30公分..
  • 語言: 中文
  • 資源來源: NUTN ALEPH

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