skip to main content
語言:
資源種類 顯示結果: 顯示結果: 查詢種類 索引

兒時記趣-寫實油畫探源—陳玄益創作論述 = Funny memory of childhood – An exploration of realistic oil painting the creative research of Shyuan-Yi Chen

陳玄益 國立臺南大學 視覺藝術與設計學系碩士班 民107[2018]

可在 府城總館  2樓參考書區  (DC FA 106010 )取得(請點選下列選項)

  • 題名:
    兒時記趣-寫實油畫探源—陳玄益創作論述 = Funny memory of childhood – An exploration of realistic oil painting the creative research of Shyuan-Yi Chen
  • 著者: 陳玄益
  • 國立臺南大學 視覺藝術與設計學系碩士班
  • 主題: 靜物畫 台灣寫實繪畫 童年; still life Taiwan realistic painting childhood
  • 描述: 個人創作靈感、理念來自自身的兒時記憶，回憶兒時的記憶就如走馬燈式的在大腦中不斷的湧現，就好比是昨天才剛發生過的事情，因此，本研究以自身經驗深入兒童思想和心靈深處情感。 本篇論文撰寫內容架構為第一章：緒論，說明只創作的研究動機、研究目的、研究方法、研究範圍和研究架構。第二章：學理依據，為本創作論述研究的形式範圍並提出學理分析佐證，以美術史中的靜物繪畫為探討，從美術史深入到繪畫歷史的發展中進行探討，藉由靜物的題材脈絡蒐集並區分各時期靜物畫的發展及差異性。分析照像寫實主義及鄉土寫實主義對台灣美術的影響範疇，並聚焦在台灣一九七○、八○年寫實繪畫的探討，也透過當時藝術家的繪畫創作作為呼應。第三章：創作的形式的探討，以「靜物畫」作為創作的繪畫形式，並以自身的兒時記憶作為創作內容，結合創作媒材技法、作品。結論：藉由藝術創作表現自我兒時的心裡世界及內在情緒，並於創作過程中所面臨的問題及解決方法。.
    Personal creative inspiration and ideas come from their own childhood memories. Remembering memories of childhood are like a lantern that constantly emerges in the brain. They are just like what happened yesterday. Therefore, this study will focus on its own experience to deepen children’s thinking, and deep feelings in the heart. The content of this paper is including the first chapter: Introduction, which explains the research motivation, research purposes, research methods, research scope and research structure. The second chapter: the basis of the theory, the scope of the study of the creative discussion and the proof of academic analysis, the study of the still life painting in the history of art, from the depth of art history to the development of painting history, through the theme of still life Collect and distinguish the development and differences of still life paintings in each period. It analyzes the influence of photorealism and local realism on Taiwanese art, and focuses on the discussion of realistic paintings in Taiwan in 1970 to 1980, and also echoes the artist's paintings at that time. The third chapter: the discussion of the form of creation, with "still life painting" as the form of painting, and with its own childhood memories as the creative content, combined with the creation of media techniques and works. Conclusion: Through the artistic creation, express the self-child's inner world and inner emotions, and the problems and solutions in the creative process..
  • 出版者: 碩士論文--國立臺南大學視覺藝術與設計學系碩士班.106學年度
  • 建立日期: 民107[2018]
  • 格式: iii,vi,80頁 : 圖 ,表 ; 30公分..
  • 語言: 中文
  • 資源來源: NUTN ALEPH
連結
返回到檢索清單
    臺南大學版權所有 © 2016 NUTN All Rights Reserved

正在檢索遠程資料庫，請稍等