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重複性的精神探究–以自然為啓發 — 薛富農創作論述 = Repetitive spiritual inquiry - inspired by nature—Creative discourse of Fu-Nung Hsueh

薛富農 國立臺南大學 視覺藝術與設計學系碩士班 民109[2020]

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  • 題名:
    重複性的精神探究–以自然為啓發 — 薛富農創作論述 = Repetitive spiritual inquiry - inspired by nature—Creative discourse of Fu-Nung Hsueh
  • 著者: 薛富農
  • 國立臺南大學 視覺藝術與設計學系碩士班
  • 主題: 東方宇宙論 綠色 重複性 精神性 點; Oriental Cosmology Green Repetitive Point
  • 描述: 本研究《重複性的精神探究–以自然為啓發》主要探討的內容為「點」與「重複性」的關聯,透過筆者的創作過程,來闡釋自然與個人情緒的聯結、內在情感的抒發與生命不同時期的起伏狀態。內容包括東方哲學與心理學的文獻研究,藝術家作品圖像之分析,以及創作過程之心理撫慰。 本論文整體架構分為五個章節,第—章緒論。第二章自然哲學與重複性之研究,以東方宇宙論去談自然哲學的角度,談論自然的寓意與重複性,試圖與建立自身創作之立足點。第三章創作內容與形式,則透過草間彌生、羅斯科、謝貽娟等藝術家之創作思想解析與比較,並提出個人創作之學理根據與淵源。第四章則是回歸自己作品解析,從點的形式到大自然的探尋,展覽的策略等方向逐一檢視。第五章結論及未來創作方向與展望,將各面向的創作進行統整反思,重新思考《聚峰》發展可能。
    In this study, "Repetitive Spiritual Inquiry - Inspired by Nature" mainly explores the relationship between "point" and "repeatability", and explains the connection between nature and individual emotion, the expression of inner emotion and the undulating state of different periods of life through the author's creative process. The contents include the literature study of Oriental philosophy and psychology, the analysis of the images of the artist's works, and the psychological comfort of the creative process. The overall structure of this thesis is divided into five chapters, the first chapter of the introduction. The second chapter of the study of natural philosophy and repetition, to talk about the perspective of natural philosophy from the perspective of Oriental cosmology, to talk about the moral and repeatability of nature, and to try to establish a foothold in their own creation. The third chapter of the creative content and form, through the grass-based, Roscoe, Xie Wei and other artists of the creative ideas analysis and comparison, and put forward the rational basis and origin of personal creation. The fourth chapter is to return to the analysis of their own works, from the form of the point to the search of nature, the strategy of the exhibition and other directions to examine one by one. Chapter V conclusionand and future creative direction and prospect, will be the creative in the face of the whole reflection, rethinking the development of "Jufeng" possible.
  • 出版者: 碩士論文--國立臺南大學視覺藝術與設計學系碩士班. 108學年度
  • 建立日期: 民109[2020]
  • 格式: xi, 74葉 : 圖 ; 30公分..
  • 語言: 中文
  • 資源來源: NUTN ALEPH

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