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貓物語 —沈賞音工筆彩墨創作論述與實踐 = Cat stories —Shen Shang yin's ink and art creation discussion and practice

沈賞音 國立臺南大學 視覺藝術與設計學系碩士班 民110[2021]

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  • 題名:
    貓物語 —沈賞音工筆彩墨創作論述與實踐 = Cat stories —Shen Shang yin's ink and art creation discussion and practice
  • 著者: 沈賞音
  • 國立臺南大學 視覺藝術與設計學系碩士班
  • 主題: 寵物 虛擬寵物 貓物語; animals pets technology virtual pets
  • 描述: 本論文以「貓物語—沈賞音工筆水墨創作論述與實踐」為題,論述人與不同物種間的關係及相處模式,目的絕非在指責或是找出一個正確的通論。透過觀察與自身體認,在科技時代的演變下,探究人類對於不同物種的親密關係,是否由「愛」也能兼具療癒的力量去改變自古以來人們以本位去定義的世間萬物。 筆者試圖以水墨繪畫,將自我形象放入作品中,創作出可以傳達具時代性且屬於自我風格的水墨工筆畫,因此期許以筆者個人經驗值,藉由作品喚起人類對動物的喜愛。 本文撰寫的內容,主要架構如下: 第一章「緒論」:內容為探討創作研究動機、目的、方法、範圍限制、步驟及名詞解釋。 第二章「創作意涵與主題探討」:本論文在第二章學理依據方面,分為二部分:一由最貼近的日常狀態為題,透過觀察了解動物與人類的關係演變,進而探討人類內心淺層的心理需求以其應用。二由介紹以寵物、療癒為形象為創作主題,且與筆者風格相似的藝術家,提出討論、分析,並將時代背景及創作理念交代清晰。 第三章「創作理念與實踐」:針對本創作理念來進行說明。藉由梳裡自我創作實踐過程中,闡述本系列作品的圖像符號及色彩、空間配置在作品中所象徵的意涵,再進一步提出東方繪畫、西方繪畫的風格之比較,在繼承傳統繪畫技法的基礎上,當代繪畫之連結性、突破性。因此藉由上述所提及的,筆者進而試圖創作出有別於傳統的風格、圖像符號,從中歸納出靈感,得到啟發。 第四章「作品整體與個別解析」:針對本系列作品之內容意涵及特色,進行創作形式技法及理念說明。 第五章「結論」:說明本創作理念研究的論述所提出的回顧感想,以及自我對未來藝術道路上的期許
    This paper is based on the title of “Cat stories of Shen Shangyin's Ink and Wash Creation Discussion and Practice”, this paper discusses the relationship between human beings, different species and the ways of coexistence, with no intention to blame or find a correct general theory. Through observation and self-recognition, the author explores the intimate relationship between human beings and different species in the evolution of the technological age, and whether "love" can also have the power to heal and change all things in the world, which have been defined by people in their own right since ancient times. The author attempts to use ink painting and put the self-image of her into her works to create an ink brush painting that can convey a contemporary and self-contained style, and therefore hopes to use her personal experience to arouse human love for animals through her works. The main structure of this paper is as follows. Chapter 1, "Introduction": The content is to explore the motives, purposes, methods, limitations of scope, steps, and terminology of creative research. Chapter 2, "Creative Meaning and Thematic Exploration": In the second chapter, the thesis is divided into two parts: First, it is based on the closest daily state, through observation and understanding of the evolution of the relationship between animals and humans, and then explores the shallow psychological needs of human beings and their applications. Second, introduction to artists who use pets and healing as their creative themes and have a similar style to the author's, and presents discussions and analyses to explain the background and creative philosophy of the time. Chapter 3, "Creative Concept and Practice": This chapter mainly devoted to the creative concept. Through the process of combing through my creative practice illustrating the symbols of images, the symbolic meaning of color, spatial configuration in this series of works, furthering the propose of comparison
  • 出版者: 碩士論文--國立臺南大學視覺藝術與設計學系碩士班.
  • 建立日期: 民110[2021]
  • 格式: [14],103面 : 彩圖 ; 30公分..
  • 語言: 中文
  • 資源來源: NUTN ALEPH

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