skip to main content
語言:
資源種類 顯示結果: 顯示結果: 查詢種類 索引

Temporality and process in the compositions of Gerard Grisey.

Huey-Meei. Chen ProQuest Information and Learning Co.; Columbia University. 2010

Dissertations Abstracts International 72-06A.

線上取得

  • 題名:
    Temporality and process in the compositions of Gerard Grisey.
  • 著者: Huey-Meei. Chen
  • ProQuest Information and Learning Co.; Columbia University.
  • 主題: Music; France; Grisey, Gerard; Temporality; Electronic books
  • 所屬期刊: Dissertations Abstracts International 72-06A.
  • 描述: This dissertation investigates temporality and process in the music of Gerard Grisey. Among spectral composers, Grisey takes a particular interest in the temporal domain. The temporal process that underlies the evolution of sound in spectral composition emerges as an important component of compositional strategy in Grisey's music. I aim to illuminate the notion of process in Grisey's work, focusing on how temporal/rhythmic elements evolve over time. This dissertation consists of two parts: "Foundational Concepts" and "Analysis." The first is comprised of two chapters examining the concepts and elements derived from electronic music, which Grisey applies to his work, along with the notion of process in his spectral compositions. In Chapter 1, I examine the compositional techniques Grisey learned by working with electronic music and subsequently applied to his acoustical instrumental writing. I use examples from Grisey's work to demonstrate the outcome of his experimentation. In Chapter 2, I discuss the centrality of process in Grisey's music. Grisey works with the physical properties of musical tones, whose evolution over time provides models for some of the processes in his compositions. In Part II, I perform detailed analyses of two of Grisey's compositions, Periodes in Chapter 3 and Tempus ex Machina in Chapter 4, finding that Grisey's spectral work employs combinations of temporal strategies, among them acceleration and deceleration (arithmetic, geometric or exponential), periodicite floue, and le temps dilate, to generate a variety of rhythmic organizations that he uses to create temporal processes.
  • 出版者: Thesis (Ph.D.)--Columbia University, 2010.
  • 建立日期: 2010
  • 格式: 1 online resource (119 pages)..
  • 語言: 英文
  • 識別號: ISBN9781124174068
  • 資源來源: NUTN ALEPH
連結
返回到檢索清單
    臺南大學版權所有 © 2016 NUTN All Rights Reserved

正在檢索遠程資料庫，請稍等