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鏡像中的自我認同與異域景象創作論述 = A Discourse on Self-Identity and the Creation of Exotic Scenes in the Mirror

吳春曉 國立臺南大學 視覺藝術與設計學系碩士班. 2022[民111]

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  • 題名:
    鏡像中的自我認同與異域景象創作論述 = A Discourse on Self-Identity and the Creation of Exotic Scenes in the Mirror
  • 著者: 吳春曉
  • 國立臺南大學 視覺藝術與設計學系碩士班.
  • 主題: 自我認知 反覆 對稱 鏡像 版畫創作; self-recognition repetition symmetry mirror image printmaking
  • 描述: 本創作論述主要以個人於2018至2020年間的創作進行分析探討，藉由論述書寫與創作實踐的過程，回溯以往的藝術創作，從中發展出個人風格，並以版畫為媒材做為紀錄與表現。 筆者透過創作論述的撰寫，思考自我意識的形成，在閱讀拉岡鏡像期的觀點中，其論點觸動筆者的創作思考，因此也藉其學理基礎，表達尋找自我的過程。也將求學期間在台灣，香港和法國遊歷與生活，做為創作靈感來源，並使用格式塔中感官經驗、平衡、對稱結構等觀點進行論述。 在創作形式與視覺元素的構成上，拼接、反覆、對稱或鏡像是筆者常用的表現方式，擁有一個雙胞胎妹妹，而且彼此雖然遊歷的地方有重疊，但是時間卻是不一樣，這些想法都影響著筆者在創作中的方向。以版畫為媒介加上學理知識的閱讀、理解，有助更明確的表達個人理念，期望日後除了創作外，也對於藝術的知識有更多的認識。
    This creative discourse is an analysis of my own creations between 2018 and 2020. By discussing the process of writing and creative practice, I look back on my past artistic creations to develop my own style, and use printmaking as a medium to record and express it. The author considers the formation of self-awareness through the writing of creative discourses. In reading the views of Lacan's mirror stage, his thesis touches the author's creative thinking, and therefore also expresses the process of searching for the self through its theoretical basis. He also uses his travels and life in Taiwan, Hong Kong and France during his studies as a source of inspiration for his creative work, and uses the Gestalt viewpoints of sensory experience, balance and symmetrical structure in his discourse. In terms of the composition of the creative forms and visual elements, stitching, repetition, symmetry or mirror image are the author's common ways of expression. Using printmaking as a medium and reading and understanding academic knowledge will help me to express my personal ideas more clearly, and I hope to have more knowledge about art in addition to creation in the future.
  • 出版者: 碩士論文--國立臺南大學視覺藝術與設計學系碩士班.
  • 建立日期: 2022[民111]
  • 格式: [8], 109面 : 圖 ; 30公分..
  • 語言: 中文
  • 資源來源: NUTN ALEPH
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