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生命刻痕 : 完美主義者的自我療癒 戴燕玲創作論述 = Scars of Life : Self-healing of Perfectionist The Discourse of Creation by Yang-Ling Dai

戴燕玲 國立臺南大學 視覺藝術與設計學系碩士在職專班. 2023[民112]

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  • 題名:
    生命刻痕 : 完美主義者的自我療癒 戴燕玲創作論述 = Scars of Life : Self-healing of Perfectionist The Discourse of Creation by Yang-Ling Dai
  • 著者: 戴燕玲
  • 國立臺南大學 視覺藝術與設計學系碩士在職專班.
  • 主題: 完美主義 金繕 非定形主義 抽象; Perfectionism Kintsukuroi Art Informel Abstract
  • 描述: 本研究論述以2020年至2023年期間之創作，作為筆者主要的文字論述，內容源自筆者受到自身完美主義的性格影響，對於事物要求很高，但實際卻擔心自己無法達到目標，而一再拖延不願意繼續進行，為了接納不完美的自己，因此學習潛藏在金繕這項古老工藝技術中的內涵，對於不完美的部分不刻意隱藏，反而以強調的方式凸顯特色。筆者透過不斷的材料實驗中，尋找從不同的材料組合和技法，呈現自我療癒的抽象視覺語彙。 本研究論述撰寫內容架構共分為五個章節，其內容包含：第一章緒論：講述的是研究動機與目的、研究方法與架構及研究範圍。第二章文獻探究：則是筆者匯集整理本創作所需要的相關文獻，進行深入探究，其內容含括完美主義之下的不完美、圓的意義以及重生後的不確定性。第三章創作的形式與內容：在論述筆者對於傳統技術金繕的表現與當代性、宋瓷之美與其色彩和偶發與創作材質之內涵，分析自身所受到的影響作為創作時的形式要素。第四章生命刻痕創作解析：針對筆者的創作進行分析，紀錄創作過程與實踐，對於創作媒材與技法詳加說明，最後則是將筆者的創作內容解析。第五章結論：是對於本創作論述進行反思與統整，除了在創作實驗上得到的收穫外，更對於未來創作上提出展望。.
    This study presents the author's creative work from 2020 to 2023 as the primary textual discourse. The content is influenced by the author's personal perfectionistic personality, characterized by high demands for things but a constant worry about not being able to achieve goals, leading to repeated procrastination and unwillingness to continue. To accept their imperfect self, the author explores the hidden meaning within the ancient craft technique of Kintsukuroi, which emphasizes highlighting the imperfect parts rather than deliberately concealing them. Through continuous material experimentation, the author seeks to find different material combinations and techniques to present a self-healing abstract visual vocabulary. The content of this research discourse is structured into five chapters. The first chapter, Introduction, discusses the research motivation and objectives, research methods and framework, and the scope of the study. The second chapter, Literature Review, compiles and explores relevant literature needed for the creative work, including the imperfection within perfectionism, the meaning of circles, and the uncertainty after rebirth. The third chapter, Forms and Content of Creation: This chapter discusses the author's expression of traditional Kintsukuroi techniques in relation to contemporaneity, the beauty of Song Dynasty ceramics and their colors, and the accidental with connotation of creative materials. It analyzes how these factors serve as formal elements in the author's creative process.The fourth chapter, Analysis of Life Traces in Creation, focuses on analyzing the author's creative process and practice, providing detailed explanations of the creative media and techniques, and finally, analyzing the content of the author's creations.The fifth chapter, Conclusion, reflects on and integrates the discourse of this creative work. In addition to the insights gained from the creative experiments, the chapter also presents future prospects f
  • 出版者: 碩士論文--國立臺南大學視覺藝術與設計學系碩士在職專班.
  • 建立日期: 2023[民112]
  • 格式: 99面 : 圖 ; 30公分..
  • 語言: 中文
  • 資源來源: NUTN ALEPH
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