唐浩明的《曾國藩》研究─繁體字版與簡體字版的比較

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唐浩明的《曾國藩》研究─繁體字版與簡體字版的比較
著者: 方湘婷; Fang, Hsiang-ting
陳光明; Guang-ming Chen; 國語文學系碩士班
主題: 版本比較; 唐浩明; 曾國藩; Edition comparison; Tang Haoming; Zeng Guofan
描述: 本論文依據敘事學理論和文化或文學理論，對唐浩明長篇歷史小說《曾國藩》的繁體字版和簡體字版間的寫作異處，分別就章節的敘述手法、人格特質各方面，深入剖析研究，以期瞭解唐浩明長篇歷史小說《曾國藩》的繁體字版和簡體字版間寫作異處共有那些段落和章節，以及從中蘊含作者那些寫作的巧妙技巧和主人翁的處事智慧，可供讀者效法。以下總結各章節於歷史小說《曾國藩》的研究結果：一、從時代背景切入分析：中國大陸直至一九九0年代初才逐漸緩和緊張的政治氛圍，而作者唐浩明從一九八四年就埋首於曾國藩流傳下的大量文件和家書，遺憾這位晚清重臣跌宕多姿的一生，竟無一本介紹他的文學作品，因此鑽研文字材料，繼而在一九九0年出版上冊《血祭》，從時間上可以看出，唐浩明寫作期間大陸尚處未開放的政治和社會，可以想見諸多在小說中的用字遣詞，都要迴避當時政治和社會不能寫的思想或稱謂，因此繁體字版的《曾國藩》有寫的思想或辭彙應該較簡體字版的《曾國藩》，更加貼近作者唐浩明最原本的寫作思考和本意。二、從文化角度切入分析：中國在思想未很開放前，文化上和思想上都很忌諱「迷信」，主張「無神論」，當然在簡體字版的《曾國藩》就刪除講陰宅風水、建築裝飾圖樣、五行陰陽等內容，只在繁體字版的《曾國藩》才有寫出。三、從文學角度切入分析：從繁、簡體的兩種版本中下冊《曾國藩》，簡體字版增寫「康福隱居東梁山」、「最後一局圍棋」、「陳廣敷三見曾國藩」等小節，使整部小說首尾互相呼應，小說結構更為嚴謹，就文學的寫作技巧來說，更加出色，因此筆者特就此繁、簡版本之不同，予以分析研究，希望讓更多的研究者能體會作者唐浩明的文筆之美。
This proposal basically is according to the studying of the narrating and the theory of the culture and literature. For the different versions of the editor Tang Haoming ~ the lengthening historical novel《Zeng Guofan》is written in the ways between the traditional and simplified characters. This research is separately on the section of chapter with narration techniques、or the various aspects of personality with special characteristics, thorough these analyzes of the research. We can understand the lengthening historical novel《Zeng Guofan》that wrote by Tang Haoming is between the traditional and the simplified character version. It wrote in different paragraphs and chapters, as well as contains author these writing the ingenious skill and the host handles matters the wisdom, may imitate for the reader. Research questions and the following summarize chapters in the historical novel《Zeng Guofan》as follows: First, analysis from the background: it’s until 1990, the mainland China just starting to relax and erase its tight political atmosphere. But in the while, the author Tang Haoming is immersed in from 1984 in which that Zeng Guofan spread the massive documents and the letters for his family. He was so regrettable that without any books to describe this high-ranking official with living in late Qing dynasty and unconstrained varied life. Therefore the studying of writing material, and then subsequently published the volume of "Blood sacrifice" in 1990. We may see from the editor- Tang Haoming. He wrote in the period of the mainland China that still without opening in politics and society. He might have to avoid those thoughts or the names in the novel which at that politics and the society could not allow him to write. Therefore in the traditional type 《Zeng Guofan》 has more close in the simplified type in thought. It even more closed to the author’s original writing ways and his principal meaning.Second, investigate and analyze from the cultural angle: China is still not very open at that time, especially in the culture and the thought that abstained from “superstition”, and advocated “atheism”, "Zeng Guofan" speaks certainly contents and so on graveyard geomancy, building decoration pattern, five lines of masculine and feminine elements in the simplified character version on the deletion, only the book of 《Zeng Guofan》 in traditional character version has been written.The third investigation for the analysis of the literature angle: in the final of the book that between the simplified and traditional, the editor added some sections as the “Kang Fu to live in seclusion the Dongliang”, “the last game of Chinese chess”, “Chen Guangfu three sees Zeng Guofan” and so on the festivals. The entire novel from the head to the tail can resonant the whole story. The structures are becoming so tight in this book. In this literature of writing skills the editor showed his splendid way to present and lined the whole stories. That is the reason why that I have based on the collected results to present Tang Haoming’s beauty of articles to make others knows.
碩士
建立日期: 2013
格式: 121 bytes
text/html
語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/145
資源來源: NUTN IR

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唐浩明的《曾國藩》研究─繁體字版與簡體字版的比較

方湘婷; Fang, Hsiang-ting 陳光明; Guang-ming Chen; 國語文學系碩士班 2013

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