我與狗的心靈記事-萬蜀鳳創作論述

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我與狗的心靈記事-萬蜀鳳創作論述
著者: 萬蜀鳳; Wan, Shu-feng
朱紋皆; none; 美術學系碩士班
主題: 動物; 狗; 情感; dogs; emotions and feelings; animals
描述: 本創作論述是筆者以二○○九年至二○一一年間的創作作品為研究範圍所作的文字論述。內容包含個人創作時的動機、思維、思考方向以及作品的內涵說明，透過探討藝術史、繪畫理論及相關著作，以及自己生活經驗，做為研究的基礎及創作根據，並以寫實形式的呈現作為個人創作情感的檢視與剖析。以紀錄狗的生活樣貌和與人生活間的情感連結作為動機，懷抱著狗與人相對意義這樣的心思，去研究探討繪畫文獻中那些狗的存在與角色為出發點，藉著描繪日常生活中狗的肢體語言動作進行動物與人互動的情感探索，以寫實的技法捕捉讓人感動的瞬間，最後再回歸創作理念的追求與省思。本創作論述忠實陳述著創作者內心的想法和情感，透過文字的整理、研究法的探討與創作實踐的對照，期望對自我的創作有更深一層的體悟，以期拓展更寬廣的創作方向。本論文撰寫的主要內容與架構，包括－緒論：闡釋本論文研究的動機與目的、研究方法與架構。第一章：文獻探討，此章將本創作研究相關的文獻做彙整，內容包括宗教及神話中的狗，以及狗在畫中的角色定位、涵義。第二章：創作內容依據與形式之探討，此章針對作者的心理層面，藉著對自我情感與情緒的剖析，以及狗的情緒表現，連結狗與人之間的感情互動，最後陳述相關的創作形式。第三章：創作實踐，敘述創作理念和心理狀態，並對作品內容加以解析與對照。結論：針對本論文之研究，歸納出結論以及對創作過程心緒情感的變化以作為省思。
This statement is about the paintings between 2009 and 2011 of the author, which includes her motives, thoughts and explanations for the works. Through the research of art history, painting theories, related books, and her own life experiences the author has formed the basis of her studies and creations to formalise a survey and analysis of her emotions in the realistic way. Based on the motives of recording dogs’ lifestyles, their emotions when interacting with mankind, and also the mutual significance between the two, the author has tried to probe the meanings of dogs’ existence and their roles in paintings and their meanings to humans. By means of painting the body language of the dogs in her daily life to have a review on her own emotions while interacting with animals, she has used the surreal skills to catch the touching moments and come back to the pursuit of her concept and reflection at the end. This abstract clearly expresses the inner thoughts and emotions of the author. Through all the studies, findings, and creations, the author expects to achieve a better understanding of her paintings and to widen the range of her future creations. The dissertation consists of five parts. The preface: expounding the motives, objectives, and structure of the thesis. Chapter one: survey of the documents. This chapters combines the related findings, such as the roles and meanings of the dogs in religious and mythical paintings. Chapter two: inspiration and forms. This chapter aims at the psychological state of the author and the dogs’ emotions, who tries to express the interaction between dogs and humans through the analysis of her own feelings and emotions and also the creative forms relevant to it. Chapter three: Realisation of ideas. This chapter describes the author’s ideas and her psychological state, as well as her analysis and the contrast of the creations. Conclusion: By way of the research on this thesis, the author has made the conclusion and regarded the transition of her emotions and feelings while painting as a form of self-reflection.
碩士
建立日期: 2011
格式: 121 bytes
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語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/1543
資源來源: NUTN IR

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我與狗的心靈記事-萬蜀鳳創作論述

萬蜀鳳; Wan, Shu-feng 朱紋皆; none; 美術學系碩士班 2011

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