身體邂逅於變形之間-丁忠献創作論述

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身體邂逅於變形之間-丁忠献創作論述
著者: 丁忠献; Ding, Chung-shine
高實珩; none; 美術學系碩士班
主題: 身體; 變形; 感知; 意象; 之間; between; body; transformation; perception; image
描述: 本篇創作論述為2008至2010年研究所時期個人創作實踐過程的省思，以大學時期裝置作品為創作起點，延續人變形為蟲的荒謬幻想，藉由身體、媒材、場域相互混融的藝術語彙，探討在秩序框架下被機構化、物化的身體，身體知覺逐漸被取代與潰散，藉由藝術創作過程身體感知得以鳴放。以回溯、自省、分析與歸納等方法，並參照文學、美學與藝術史上相關議題的論述與作品，深入探究個人藝術的實踐與創作表現語彙。本論述架構分為三個部分。第一部分：在身體的存在模式中，藉由知覺可以尋得一個清晰的身體，而藝術創作是趨近於身體真實感知的實踐過程。第二部分：蛻化變形是一種脫離秩序框架對身體知覺的啟迪，透過相關藝術的多元表現方式與個人創作行為相互連結，探討並釐清個人創作過程所涵蓋的創作因子。第三部分：討論個人作品之內在思維、外在表現方式，以及透過媒材、身體，在作品和場域之間產生的變形語彙。藉由論述的爬梳，建構與釐清個人創作的思維脈絡，為下一段藝術游牧旅程，尋求更大的自由與各種接駁的可能。
This paper aims at the personal reflections on hands-on experiences of creations and practices in art during the studies at graduate school of National University of Tainan from 2008 to 2010, using the works of decoration created in the university as the start in order to continue on absurd imaginations of a human body to an insect. Moreover, to discuss the organized and transformed body under an orderly frame by the art languages combined with the body itself, the medium, and the environment. Furthermore, the perception of the body can be flourished by the process of art creations. Methods of retrospection, self-reflection, analysis and summarization along with reviews of literature, aesthetics and art histories related to the topic are utilized to explore individual art practices and languages of creative performance.The study is composed of three parts. First, under the existence of the body, a clearer body can be found by touching and sensing. Nevertheless, creating artworks is close to the practical process of real perception of the body. Second, transformation is a kind of inspiration of the perception of the body that’s out of the orders. It is also connected through diverse art performances and behavior of art creations as well as the elements for the discussion of the process of creating arts. Third, to discuss the inner thoughts and external performances of personal artworks by the languages formed with the medium, the body, and the environment.Synthesizing the discussion of this paper, organizing and clarifying the threads of thoughts of personal creations is to seek for a greater freedom and any possibility of creating art as well as for a better, brighter nomadic journey of art.
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建立日期: 2011
格式: 121 bytes
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語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/1549
資源來源: NUTN IR

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身體邂逅於變形之間-丁忠献創作論述

丁忠献; Ding, Chung-shine 高實珩; none; 美術學系碩士班 2011

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