變異與真實創作研究論述

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題名:
變異與真實創作研究論述
著者: 許珊榕; Hsu, Shan-jung
朱紋皆; none; 美術學系視覺藝術教學碩士班
主題: 具象表現; 矯飾主義; 變異; mannerism; figurative expressio; transfiguration
描述: 本創作研究論述是以創作者從二○○八至二○一○年之創作作品，為研究範圍，論述個人創作思考模式、藝術創作理念與對價值觀的剖析。這些均透過創作理念的溯源、創作形式的成因與演變及作品的內容說明等面向，審視自我的變異與真實。本論文撰寫架構章節，於緒論中闡釋研究之動機與目的、研究之方法與步驟及研究之範圍與架構。第一章以文獻探討為主，從文藝復興時期，透過經選擇的米開朗基羅、拉斐爾等作品，探討至矯飾主義的繪畫作品中的肢體變形和其多元風格，以及近代歐洲具象表現繪畫的描繪真實的態度和藝術理論等相關文獻。第二章藉由矯飾主義和十九世紀以來近代具象表現繪畫的作品，來分析和闡釋創作形式及創作媒材技法，來達到自我創作的印證。第三章創作實踐中，針對自己的作品在創作過程中的脈絡作解釋和分析，探討創作內涵及意向。結論則提出對自己論文之論述及創作系列發展作品的結論與省思，並對未來的發展提出創作的可能性與期許。生活中的週遭有許多我們面臨的壓力，它使得我們思索自我對壓力的認識與交流，進而更真實積極的面對生命旅程的每一刻。創作則是自己這些選擇、權力和意志的具體呈現。筆者以油畫素材為主，探索油畫創作的形式內容，與油畫的質量感描繪表現。藉由藝術表現形式與媒材演繹手法，透過變形與演繹，思考外在環境的與內在自我的密切交流，以及生活經驗的體悟，開展圖像系列的模擬與表現的可行性，結合理論的論述探究，無非是要給予自己對於作品的詮釋上，提出更貼切的輔助力量。藉由探討自我內在，體悟個體對生命的積極尊重與關懷，發展油彩媒材表現，探索現實環境自我的各式形貌，思考生命本質，詮釋變異真實與內在的表現樣貌。
This thesis is a statement analysis of personal considerations, artistic concepts, and values which had a bearing on the works of art I produced from 2008 to 2010. I make a rigorous examination of my own transfiguration and artistic expression by tracing the sources of my artistic concepts, the starting point and evolution of the creative forms, and the subject matter of each work.The introduction explains the motivation and aim of the research, as well as the methodology, procedure, and scope. ChapterⅠ includes a theoretical discussion of the stylistic developments which occurred in the artistic representation of the body, from the last phase of the Renaissance through Mannerism, as well as a discussion of figurative expression in contemporary European Art. Chapter Ⅱ analyzes and interprets creative form, medium, and technique in relation to Mannerism and modern figurative expression. Chapter Ⅲ consists of an interpretation and analysis of the intention and significance of my own creative process. In the conclusion, I reflect on the series of works, the process of interpreting them presented herein, and some thoughts about the future development of my work. The various forms of stress we encounter throughout our lives can compel us to reflect on the nature of stress and our relationship with it, and perhaps even help us to face each moment with increased sincerity and vigor. Creativity is the concrete expression of our personal decisions, power, and volition. In using the medium of oil painting, I explore its qualities and creative possibilities. I utilize transformation and deduction to reflect on the intimate interflow between the external environment and the internal self. I use life experience to develop images which manifest the possibilities of simulation and expression. Theoretical reflection on this process provides greater impetus for interpreting my work. In probing into the inherent self, I come to experience an active respect and concern for life, develop my medium of expression, probe into the varied faces of reality, contemplate the essence of life, and interpret truthfulness and the inherent nature of expression.
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建立日期: 2010
格式: 121 bytes
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語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/2119
資源來源: NUTN IR

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變異與真實創作研究論述

許珊榕; Hsu, Shan-jung 朱紋皆; none; 美術學系視覺藝術教學碩士班 2010

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