靈魂的重量—程玉芬創作論述

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題名:
靈魂的重量—程玉芬創作論述
著者: 程玉芬; Cherng, Yu-fen
陳玫琦; none; 美術學系視覺藝術教學碩士班
主題: 後設論述; 靈魂; 自傳; 輕盈; metadiscourse; soul; autobiographic; light
描述: 創作，這件事是如何令人值得珍視？三年來，一直處在極度壓縮的狀態下，我也僅能從暫存的裂罅裡自由呼吸。為這難得的機緣鼓起勇氣，闖蕩童騃的自在與扣擊僵固現實生活的心理狀態。透過自傳式的書寫，將主觀心靈與客觀理性兩條線索，交織糾纏。論文主體架構以「旅人」尋找遺失的靈魂旅程作為起始；沿途與藝術連結的小故事作為支線，串成一本自我追尋的後設論述：第一部分，從一開始，滿懷使命的創作動機，漸漸內化在生活周遭製造一點兒滑稽，最後，回歸心靈深處的創作轉折歷程，逐一開展創作的本質。第二部分，從回溯記憶中，對於形式錯置的繪畫語言的再次釐清與夾結素材的獨特性，試圖將其轉化為藝術創作上的引信，爆破藝術之境。第三部分，堆砌著一則又一則的小故事，平淡的思緒隱藏在光鮮或者與形式不相干的故事裡，留著一些空白，等待觀察者的介入。第四部分，則是從雜亂的創作碎片中，不斷地探索、填補、串連，並且建構起作者、觀察者與藝術對話的平台。倘若論述裡處處暗示著藝術創作即是某種心理匱乏的運作，那就實證了毫無歸屬感的「旅人」，一方面妄想讓時間倒流，好讓他從每一段的旅程中將遺失的靈魂重量一一拾回；同時也不斷抖掉「沉重包袱的宿命」，企求在創作中能夠輕盈、自在。
Creation, how should this thing be cherished? For three years I have been under an extreme compressed condition, and I could only freely breathe from the temporary crack. For this rare chance I boldly explored, charged, and desired into the freedom of my naive youth and to hit my psychological condition of real life which was stiffened. Through an autobiographic writing, I have intertwined two clues of subjective feelings and objective reasoning.The main frame of the thesis uses a “journey of a traveler seeking his lost soul” as a start, then follows the little story connected with art along the way as a branch, and connects into a metadiscourse of a person’s self seeking. In the first part, in the beginning, the sense of mission was the motive. Then, it gradually went back to the inner part, and some funny stories about daily life took place. In the end, the composition went back to the turning point experiences of the deep part of the heart, and launched the essence of the composition. In the second part, it went from tracking back the memory to the intertwining of the forms of painting language. It once again distinguished and combined the uniqueness of the materials. It attempted to transform them to an artistic composition fuse, and make a breakthrough in the realm of art. In the third part, it piled up one little story after another. The dull state of mind was hidden in the fresh stories or stories with no apparent relevance in form, with some blanks left over, waiting for the intrusion of the observer. In the fourth part, from the pieces of the disorderly composition, it continuously explored, filled in, connected, and constructed a conversational platform for the author and the observer to converse with the art.If this thesis has a hint that the artistic compositions are operations of a deficiency in the heart, then it proves that the “traveler without a sense of belonging” exists. On one hand, the traveler would vainly like for time to go back so that he could get back the weight of the soul that he has lost in every journey. At the same time, he is constantly loosing “the heavy-burdened destiny”, hoping he will become light and easy in the composition.
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建立日期: 2009
格式: 121 bytes
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語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/2653
資源來源: NUTN IR

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靈魂的重量—程玉芬創作論述

程玉芬; Cherng, Yu-fen 陳玫琦; none; 美術學系視覺藝術教學碩士班 2009

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