自我直觀與表現創作研究論述

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題名:
自我直觀與表現創作研究論述
著者: 梁慶國; Liang, Chi-kuo
朱紋皆; none; 美術學系視覺藝術教學碩士班
主題: 表現; 自我; Expression; Self
描述: 本創作研究論述，是以筆者二○○八年至二○○九年之創作作品為研究範圍，論述個人創作思考模式、藝術創作理念與對價值觀的剖析。這些均透過創作理念的溯源、創作形式的成因與演變及作品的內容說明等面向，審視自我直觀與表現。　　本論文撰寫架構章節，於緒論中闡釋研究之動機與目的、研究之方法與步驟及研究之範圍與架構。第一章繪畫的情感蘊含是以文獻探討為主，分析整理包括表現主義、德庫寧及培根等藝術創作及理論之相關文獻論述。第二章自我的呈現則透過心理學論述自我現實樣貌的省悟，及分析藝術創作中作品的形式內容與媒材技法。第三章創作實踐中，論述詮釋自己創作之脈絡與過程，分析研究自己作品的意象，及對自己作品創作意涵的探討。第四章結論則提出對自己論文之論述及創作系列發展作品的結論與省思，並對未來的發展提出創作的可能性與期許。　　生命有限的時間裡我們面臨許多既有價值觀的選擇，思索要如何忠於自己而活，認真的品嘗生命旅程中每一個當下的自己。創作則是將自己這些選擇、權力意志重握在手中的具體呈現。筆者以油畫素材為主，探索油畫創作的形式內容，與油畫的質量感描繪表現。藉由藝術表現形式與媒材演繹手法，以自己的圖像做為創作肖像符號，沉潛內化與再生演繹，探索現象時空自我的形貌，與生活經驗的體悟，開展圖像系列的模擬與表現的可行性，結合理論的論述探究，無非是要給予自己對於作品的詮釋上，提出更貼切的輔助力量。藉由自我探討，體悟個體對生命的尊重與熱愛，發展油彩與多元媒材表現，探索現實環境自我的各式形貌，思考生命本質，詮釋時空交錯中自我直觀與內在的表現樣貌。
This research was based on the works of the creator covering 2008 to 2009, studying the individual creative thinking pattern, the ideas of artistic creation and analysis of the values. All of these study the performance of the introspection through tracing to the source of the creative ideas, the causes of creation modality & its evolution, and the descriptions for the content.This paper is divided into two parts: the introduction and four chapters. The first part is the Introduction which explains the motive and purpose of this research, steps & methods as well as the scope & structure. Then the Chapter I: the emotional painting is mainly based on literature exploration, analyzing and organizing relevant literature on the theory of expressionism, Willem De Kooning and Francis Bacon. The Chapter II: the Present Myself discusses the introspection for the appearance of the self-reality through the psychological methods, and analyzes the form & content as well as media techniques on these art works. Chapter III: Creative Practices give the details about the context and processes of their own works, and the meaning of the creative works. Chapter IV the Conclusion puts forward some conclusions and reflection on the exposition of his own paper and developing creative series of works. It also gives some expectations to the feasibilities of creativity on future developments.Inside the limited time of life we face many choices of the existing values, thinking about how to live true to ourselves, and seriously enjoy the journey of life every moment of our own. These creative works are the concrete manifestation on their own choices, re-gripping the will to power in the hands. The author explores the contents and the form of oil paintings with presenting qualitative perception mostly based on oil painting materials. By the form of artistic expression and deductive media practices, creating their own image as symbols of portraits, and deeply internalization and renewable interpretation, we can explore the phenomenon of time and space and the morphology of self, understanding life experience, carry out the feasibility of performance on the series of images simulated. Combining theory into the discussion, nothing more than to give their own interpretation on the work for more support affixed to their works. Through self-exploration of the lives of individual, they can understand of respect and love for the living, and develop oil painting and multi-media performance, explore the various types of morphology of self and the natural essences of life in the external reality, interpret visual appearance and internal performance of introspection in time and space crisscross.
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建立日期: 2009
格式: 121 bytes
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語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/2662
資源來源: NUTN IR

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自我直觀與表現創作研究論述

梁慶國; Liang, Chi-kuo 朱紋皆; none; 美術學系視覺藝術教學碩士班 2009

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