「裝樣•妝漾—現代女性人物畫裝容之水墨創作研究」

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題名:
「裝樣•妝漾—現代女性人物畫裝容之水墨創作研究」
著者: 洪宛伶; Hung, Wan-ling
陳建發; none; 美術學系碩士班
主題: 妝容; 裝扮; 水墨創作; 時尚; Make-up; Dress; Ink figure painting; Fashion
描述: 本創作研究之論述，是筆者在研究所期間有關於現代女性的「裝」與「妝」之創作探索。在藝術創作中的思考與實踐，藉由觀察現今女性的服飾穿著與妝扮，運用工筆人物畫的技法來呈現藝術創作，構築出屬於自己的現代女性人物畫之創作脈絡，並探究日後創作之延續。本論文共分為五章。重點概述如下：第一章緒論：闡述本研究之動機與目的及研究方法範圍與架構。第二章為文獻探討與圖像分析：引述中西方關於女性人物畫當時的服飾風尚，及女性之心理探討。第三章為創作理念與實踐：探討創作表現形式、媒材技法、及創作元素。第四章創作作品分析：論述研究所期間之創作，選擇五件主要代表作品，從創作理念、學理基礎、內容形式、表現技法、藝術價值五個層面加以詮釋。第五章為結論，敘述創作研究結論及對未來創作方向與省思。本創作研究中，期望能達到以下幾點：一、探究古代中國人物畫作品中的傳統服飾及社會風氣之關係；二、透過觀察、體驗、知覺與研究，探索都會女性對時尚感的心理與本質；三、發展筆者在工筆人物畫創作的自我風格；四、從美學、哲學、流行文化的參照，來檢視個人創作與論述，尋找未來創作的方向。筆者探究「現代女性裝容」的創作實踐中，從中國傳統人物繪畫裡，找尋屬於筆者自身的藝術表現之定位。透過文獻、圖像分析後，再對女性穿著打扮的觀察、描繪與研究，了解本創作研究的本質及在筆墨的結合所形成出，具有獨特性與自我風格的作品。
This is a creative research to explore the creation of modern females’ “dresses” and “make-ups”. Based on deliberation and practice in art creations, the researcher presents the works through the technique of fine-line figure painting based on observation of modern females’ clothing and make-ups, establishes the creation style and explores the development of future creations. This paper is organized as follows: Chapter 1 is Introduction, and discusses the motivations, purposes, scope and structure of research methods; Chapter 2 is Literature Review and Image Analysis, and discusses Chinese and Western clothing styles with regards to female figure paintings as well as female psychology; Chapter 3 is Creation Concepts and Practices, and discusses the presentation styles of creations, materials and techniques, and creation elements; Chapter 4 is Analysis on Creation Works, and analyzes five major works created by the researcher for graduate study, from the interpretation of the following aspects: creation concepts, theory basis, content and forms, presentation techniques, and artistic values; Chapter 5 is Conclusion, and presents the concluding marks, future creation direction and self-reflection of the researcher.The purposes of this research are as follows: 1) discuss the relationship between the traditional garments presented in ancient Chinese figure paintings and social common practices; 2) explore metropolitan females’ psychology and characteristic regarding their sense of fashion through observation, experience, awareness and researches; 3) develop the researcher’s own style in terms of fine-line figure painting; 4) inspect personal creations and discussions, and look for the direction of future creations based on references of aesthetics, philosophy, and popular culture.In the research of creating modern females’ “dresses” and “make-ups”, the researcher find the position of the presentation in art belonging herself from the Chinese traditional characters. According to analyzing the literature and figure, observing modern females’ clothing and make-ups, the researcher realizes the essence of the creation and establishes the unique and creative style at works through the technique of fine-line figure painting.
碩士
建立日期: 2009
格式: 121 bytes
text/html
語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/2666
資源來源: NUTN IR

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「裝樣•妝漾—現代女性人物畫裝容之水墨創作研究」

洪宛伶; Hung, Wan-ling 陳建發; none; 美術學系碩士班 2009

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