異境創作研究論述

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題名:
異境創作研究論述
著者: 蔡旻珊; Tsai, Min-shan
朱紋皆; none; 美術學系視覺藝術教學碩士班
主題: 生物形態主義; 抽象表現主義; 超現實主義; Biomorphism; Abstract Expressionists; Surrealism
描述: 本創作論述是作者以二○一○年至二○一二年間所完成的創作作品為範圍，內容追溯個人創作的源起、媒材實驗的過程、創作形式的演變、異境系列作品的衍生、媒材技法的表現，最終論及作品之個別內涵分析及詮釋。創作動機主要是以媒材實驗為出發點，從眾多實驗作品中尋找創作靈感，最終決定藉著抽象生物造型的想像，結合自動性技法進行自我潛意識之探索創造出一個隱匿自身的異境世界。其中運用藝術史論點來驗證個人創作，以超現實主義的理念、抽象表現主義的精神，結合抽象生物形態呈現個人潛意識的形貌。創作論述特別著重於童年的追尋及觀照，並藉由創作撫慰自身心靈，達到釋然、超脫之情感。本論文撰寫的內容架構，主要章節包含 ── 緒論：闡釋本研究的動機與目的、研究方法及研究範圍和架構。第一章：文獻探討，本章述及創作相關之文獻整理及匯整，內容包括超現實主義理念以及抽象表現主義之精神。第二章：創作內容、形式之探討，本章從抽象生物形態切入論述，創作內容則闡述如何將想像與童年意象聯結，最後陳述創作形式。第三章：創作源起、媒材技法、創作歷程，並輔以前章的創作理念及形式，對照作品的創作脈絡、過程、內涵，加以剖析。結論：對論文之研究作總結性的論述，並提出未來創作發展的可能性及方向。
The creation paper is covered the creation works that are completed during the periodbetween 2010 and 2012 by the author, with its contents to make retrospect on the origins ofindividual creations, the process of media experimentations, the evolutions of creationforms, the derivatives of works from the series of “Wonderland”, as well as theperformances of media techniques, eventually to talk about individual element analysis andinterpretations for the works.The motivations of the creation mainly start out from the experimentations on themedia, to look for the creation inspirations amongst the multitude of experiment works, andin the end, to come up a world as a land beyond one’s imagination, able to hide oneselfwithin through the imagination of abstract living creature shapes, in combination withautomatic techniques for the exploration of self subconsciousness. With the ideas ofSurrealism, and the spirit of Abstract Expressionist, to put together the profiles of abstractliving creatures, in order to present the appearances of individual subconsciousness. Thecreation paper is particularly with emphasis on the pursuits and observations of childhood,meanwhile, through the creations, to mollify one’s own mind for attaining a status withemotions that are liberated and transcending.The content construct written in the paper is with the main chapters as introduction,chapter one to chapter three, and conclusion. In the introduction of the paper, to makeillustrations of motivation and purpose, research method, as well as research coverage andconstruct. In the first chapter, with the documentary investigations, to state thedocumentary organizations and compilations in relation to the creations, and for thecontents, there are the ideas of Surrealism, as well as the spirit of nonconsciousness fromAbstract Expressionists. In the second chapter, with the explorations on the creationcontents and forms, to firstly cut into the discussions from abstract Biomorphism, on thecreation contents, to make illustrations of how to conjure up to make connection with theimagery of childhood, and lastly, to make presentation of the creation forms. In the thirdchapter, for the creation origin, media techniques, and creation experiences, plus in auxiliaryof the creation ideas and forms in the previous chapter, to make comparison of the creationpatterns, processes and elements of the works for further analysis. In the conclusion, thereare summarizations on the research of the paper, as well as to make suggestions ofpossibility and direction on the developments of future creations.
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建立日期: 2013
格式: 121 bytes
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語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/312
資源來源: NUTN IR

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異境創作研究論述

蔡旻珊; Tsai, Min-shan 朱紋皆; none; 美術學系視覺藝術教學碩士班 2013

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