大空．雲走－賴秀玫創作論述

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題名:
大空．雲走－賴秀玫創作論述
著者: 賴秀玫; Lai, Hsiu-mei
朱紋皆; none; 美術學系視覺藝術教學碩士班
主題: 視覺動勢; 雲; 天空; Visual Movement; Cloud; Sky
描述: 本創作論述是作者針對二○一一年至二○一二年間的創作作品為研究範圍所作的文字論述。內容溯及個人的創作動機、思維模式，在藝術理論上結合創作理念相關性議題之探討，最後則對作品作個別分析及詮釋。創作動機與目的，結合了個人深刻關懷的兩個議題，一是對自然界裡廣闊蒼穹運行之觀看，一是對於遊走人生的觸發；在深入觀察雲相的姿態和活動中，相應了對於生命風貌的體悟與看法。其中運用美學、科學、文學、藝術史及藝術理論來驗證個人的創作思維脈絡；首先從人與自然的交會，以及對天空的觀察及感懷作為切入，繼而由藝術史及藝術創作的形式和理論的研究，其中包含繪畫空間、時間與空間，以及創作當下的行跡及線條和視覺動勢；結合筆者的創作思想，以陳述主客兩相遇合在藝術上的創生。本論文撰寫的內容架構，主要章節包含－緒論：闡明研究動機與目的、研究方法，及界定創作研究範圍和各章之研究架構。第一章：從創作主題「天空」為起始來論述，探討人與自然的交會照見，包含主客合一的體驗、科學上對於天空的觀察，以及論述人類情感移入的遇合情懷。第二章：論述主客在深刻遇合後的藝術創生活動，探討藝術史上關於天空的繪畫，以及筆者對於主題創作在形式和觀念上的闡釋。第三章：媒材技法與創作實踐，針對所使用的媒材技法加以分析，並綜合前章的創作理念及形式，對照作品的創作過程及內涵，並剖析系列作品。結論：針對本論文的研究，提出綜合性結論。
The paper is a discourse made by the author for the research coverage on the creation works during the period between 2011 and 2012. With its contents, they are to make retrospect on the creation motivations and thinking patterns from the individual persons, next, on the artistic theories, to make investigations of relevance in combination with creation ideas, lastly, to make individual analysis and explanations on the works.For the creation motivations and purpose, two issues are put together that are with profound caring from the individual persons; one is the observations on how the large universe operates in the natural world; and another is the sentiments triggered by the actual experiences in real life, moreover, during the in-depth examinations of poises as well as activities on the myriad facades of the clouds, there are consequently the insights and perspectives to the stances in living. Amongst them, there are with applications of aesthetics, science, literature, history of art, as well as artistic theories, to make verification on the creation thinking and patterns from the individual persons; Initially, to cut in from the interactions between human beings and the nature, as well as the observations and sentiments on the sky, next, from the researches for both of forms and theories on the history of art as well as artistic creations, in which to consist of painting space, time and space, as well as the trajectory, lines and visual movements at the time of creations, lastly, by combining the creation ideas of the author, to state the birth on art from the encounters between the subjective and objective standpoints. The construct written in the paper consists of chapters, mainly as, introduction, three chapters and conclusion. In the section of introduction, to illustrate the research motivation and purpose, research method, as well as to define the research coverage of the creations and the research constructs for the various chapters. In the first chapter, to make statement from the onset of the creation topic-“Sky”, with investigations on the similarities and encounters between human beings and the nature, including the experiences from the combination of both subjective and objective outlooks, the observations made by science on the sky, as well as to state the encountering sentiments with the blending of emotions from human beings. In the second chapter, to make points on the activities of artistic birth after profound encountering between both of the subjective and objective standpoints, to make investigation for paintings in relation to sky on the history of art, as well as to make explanations on both of forms and viewpoints for the topic creation by the author. In the third chapter, with media techniques and creation implementation, to put emphasis on the media techniques used for further analysis, additionally, with combination to the creation ideas and forms in the previous chapters, in comparison to the creation process and content of the works, to further make analysis on the series of works. In the section of conclusion, there are comprehensive summarizations on the researches of the paper.
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建立日期: 2013
格式: 121 bytes
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語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/316
資源來源: NUTN IR

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大空．雲走－賴秀玫創作論述

賴秀玫; Lai, Hsiu-mei 朱紋皆; none; 美術學系視覺藝術教學碩士班 2013

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