漫遊．記憶 創作研究論述

傳送到

題名:
漫遊．記憶創作研究論述
著者: 林冬梅; Lin, Tung-mei
朱紋皆; Wen-jie Zhu; 美術學系視覺藝術教學碩士班
主題: 記憶; 風景; 旅行; Memory; Landscape; Travel
描述: 本創作論述是作者針對二○一○年至二○一三年間創作作品為研究範圍所作的文字論述。內容追溯個人創作時的動機與思想理念、創作表現的詮釋與演變，以及作品內涵的說明等三個面向，對個人的創作進行剖析與審視。創作動機與目的，主要由個人對旅行的熱愛為出發點，將旅程中對於風景的印象與感動，藉由個人獨特的創作語彙，詮釋並轉化為自我內在的風景，使風景不只是風景，而是一種心靈境界。透過創作，讓風景的記憶存留於畫作中，重溫當下的悸動。而後印象主義與表現主義充滿生命力、盡情渲洩主觀情感的繪畫風格，給予筆者在創作上莫大的影響，使作品具有濃烈的色彩與豐厚的肌理。希望透過思想理念的釐清與自身創作實踐兩方面的對照改進，對自我創作有更深一層的體悟，同時提出後續的發展方向。本論文撰寫的內容，主要架構包括－緒論：闡釋研究動機、研究目的、研究方法、研究範圍及研究架構。第一章學理依據：將本創作論文研究的相關文獻資料做整理與分析，主要內容包含風景的定義、風景畫的演變、後印象主義與表現主義的繪畫精神。第二章內容與形式：以旅行與記憶為創作內容，繼而針對作品的形、色、線形式做闡釋。第三章創作實踐：詮釋自己創作的轉變與歷程，說明作品使用的媒材與技法，並剖析、探究完成的作品。結論：針對本論文作整合性的結論，反思是否達到研究目的，並提出未來可能發展的創作方向。
The paper is a study made by the author for the research coverage on the creationworks during the period between 2010 and 2013. Its contents can be traced back to threeaspects, i.e. creation motivations and thinking ideas of the individual persons, annotationand evolution of creation expression and description of work connotation, to makeinvestigation and analysis to personal creation .The creation motivations and purpose of the author mainly start out from individuallove of travelling, through individual unique creation vocabulary, annotate the impressionand touch for landscape in the travel, turn them into self inner landscape, make the sceneryis not just the scenery , but is a realm of mind. By means of creation, make the memory oflandscape exist in painting, thus can review former throbbing. The painting style ofpost-Impressionism and Expressionism which is full of vitality and can vent subjectivefeelings as much as one likes give the author greatest influence on creation, and make theworks have strong color and rich texture. The author hopes that she can have deeperrealization through comparison improvement of thinking ideas clarification and selfcreation experience, and forward development direction of future at the same time.The construct written in the paper consists of chapters, mainly as introduction, threechapters and conclusion. In the introduction of the paper, to make illustrations ofmotivation and purpose, research method, research coverage and research constructs. Firstchapter, theoretical basis: to organize and compile the documents related to the creations,and for the main contents, there are the definition of landscape, evolution of landscapepainting, the painting spirit of post-Impressionism and Expressionists. Second chapter,content and form: to take travel and memory as creation content, and then makeillustrations aiming at shape, color and line of the works. Third chapter, creative practice:to illustrate transform and course of her creation, explain media material and techniquesused in works, analyze and explore the completed works. Conclusion: there aresummarizations on the research of the paper, rethink whether the research purpose hasreached, and put forward impossible creation direction for future developments.
碩士
建立日期: 2013
格式: 121 bytes
text/html
語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/320
資源來源: NUTN IR

連結

連回原始介面

漫遊．記憶創作研究論述

林冬梅; Lin, Tung-mei 朱紋皆; Wen-jie Zhu; 美術學系視覺藝術教學碩士班 2013

正在檢索遠程資料庫，請稍等

漫遊．記憶 創作研究論述

林冬梅; Lin, Tung-mei 朱紋皆; Wen-jie Zhu; 美術學系視覺藝術教學碩士班 2013

正在檢索遠程資料庫，請稍等

漫遊．記憶創作研究論述