寂靜觀照．時間帶不走的─顏玥琪創作論述

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題名:
寂靜觀照．時間帶不走的─顏玥琪創作論述
著者: 顏玥琪; Yen, Yueh-chi
朱紋皆; Wen-jie Jhu; 美術學系碩士班
主題: 魏斯; 風景; 寫實; Andrew Wyeth; Landscape; Realism
描述: 本創作論述是作者針對二〇一〇年至二〇一三年間創作作品為研究範圍所作的文字敘述，並溯及大學至研究所第一學期創作的作品，以連貫思維脈絡。內容涵蓋個人的創作動機與理念、思維模式，以及作品的脈絡依循，經由藝術理論的思辨，釐清創作的形式依據與創作內涵，最後則對作品作個別的詮釋與分析。創作動機與目的，主要以創作者本身內在與所處生活環境中的自然之連結與體悟，將觀看風景的思維與覺知融入創作當中，在寫實的表象下，承載抽象內藴之心境，呈現每一個當下片刻的感動。其中透過藝術史與藝術家的理論來驗證個人的創作脈絡思維，佐以心靈哲學上的啓示，進而闡述筆者的創作理念與思維。本論文撰寫的內容架構，主要章節包含—緒論；闡明研究的動機與目的、研究方法及界定研究範圍和研究架構。第一章：文獻探討，從西洋風景畫的歷史脈絡中逐步追尋自我創作的根源及分析自我觀看風景的思維。第二章：形式內容依據，探究照相寫實主義與魏斯的懷鄉寫實之形式內容，進而統整分析出自我創作的形式內容定位。第三章：創作理念實踐，回顧創作歷程作脈絡連結；針對創作形式表現與媒材技法分析說明；綜合上述章節的理念方向，針對本論文的主要系列作品加以剖析。結論：對本論文研究提出綜合性的結論，並反思與檢討創作中的問題，最後提出未來創作方面的展望。
This creation discussion was written narratives made by the writer to be scope of research for the original works from 2010 to 2013, tracing back to works from university to the first semester of institute in connection with thinking context. With contents of this research dealing with personal creative motion and concept, thinking model as well as the threads of works, the writer will clarify the form basis and creative connotation of creations through speculation of art theory, individually interpret and analyze works. Creation motive and purpose mainly aims to connection and realization between writer’s insight and nature in the living environment. When watching the scenery, thinking and awareness integrates into creations, and loads mental state of abstract implication under realistic appearance to present affection at the very moment. Thinking context of personal creations is verified along with inspiration of mind philosophy through art history and artists’ theory to further expound writer’s creative philosophy and thinking. The content architecture of this thesis includes the major chapter-Instruction, specifying research motive and purpose, research method and research scope and research framework; Chapter 1: Explore literature, search sources of self-creation from historical context of western landscape paintings and analyze the thinking of self-watching scenery; Chapter 2: Explore form contents between photorealism and Andrew Wyeth’s nostalgic realism, and further integrate to analyze form content positioning of self-creation; Chapter 3: Review creation process to connect creation concept practice; focused on formal expression and media techniques for analysis and explanation; generally speaking, philosophy of the aforesaid chapters aims at the main work series in this thesis to analyze. Conclusion: The thesis raised comprehensive conclusion on the research, rethink and review the problems occurred in the creations, and finally, propose prospect for the future creations.
碩士
建立日期: 2013
格式: 121 bytes
text/html
語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/327
資源來源: NUTN IR

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寂靜觀照．時間帶不走的─顏玥琪創作論述

顏玥琪; Yen, Yueh-chi 朱紋皆; Wen-jie Jhu; 美術學系碩士班 2013

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