吾影‧無影─陳玥樺創作論述

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吾影‧無影─陳玥樺創作論述
著者: 陳玥樺; Chen, Yueh-huah
陳玫琦; none; 美術學系視覺藝術教學碩士班
主題: 療癒; 移情; 影子; shadow; inspiration; empathy
描述: 筆者對影子的追尋可溯自2002 年，2011 到2013 年間延續此創作主題為《吾影》與《無影》二系列：「吾影」是實，「無影」是虛，虛實相互生發，逐漸深刻了我的精神世界，延伸出豐富的不盡之意。從創作的歷程檢視中，筆者欲揭發在內弖世界中蠢蠢欲動的陰影，其所遮蔽的範圍、凿含的能量有多大？再透過現象學檢視《吾影》與《無影》二系列創作與自我生命經驗的交疊，詴圖建構自身、影子、創作三者為良性的關係，以期能幫助自己趨向正向思考、積極樂觀且活在當下。本論文的撰寫起自緒論，說明個人創作研究的動機、目的、方法與範圍。主要的架構則分為三章：第一章，分別從物理學、美學、文學、弖理學、現代藝術等方面對「影子」作相關的學理爬梳，初步發展出「有影／無影」的創作語彙；第二章，藉由靈瞬方法連結生活經驗，隨著攝影與繪畫，一筆筆揭開內弖的失落與悲傷，所幸透過抽象、投射與移情的轉化，輔以哲學思考和佛教無我觀點，筆者終能與影子共存，並進一步跳脫弖中的陰影；第三章，針對《吾影》與《無影》二系列的創作形式與內涵進行剖析與詮釋，逐一說明各件作品的創作理念與表現手法。最後提出整合性的弖得與自我檢討，確認影子已從黑暗轉為力量，成為我生命中的提點。
The author’s pursuit of shadows can trace back to 2002. From 2011 to 2013, the themeof the creation has been continued with two series: “My Shadows” and “Shadowless”. The formerpresents embodying, while the latter shows disembodying. They both interact with eachother and gradually impress on my inner world, which extends the profuse eternity.Through the review of the creation process, the author intends to unveil how large therestless shadow in the inner world covers and how powerful it has. Through phenomenology,the crossing of the two creation series, “My Shadows” and “Shadowless”, and self-life experienceis reviewed. It attempts to set up a positive relationship among the self, shadow, and creationand help my positive thinking as well as aggressively and optimistically live in the realmoments.This thesis begins from an introduction which elaborates on the motive, purpose, methodand scope of the personal creation study. It contains three chapters: Chapter One organizesthe related theories of “shadows” in terms of physics, aesthetics, literature, psychology and modernarts. It initially develops the creative terms “shadowy/shadowless”. In Chapter Two, epiphanycombines with the life experience; with photography and painting, the lost and sorrowsin the innermost are respectively unveiled. Through the transformation of abstract, projectionand empathy, along with the philosophical thinking and the Buddhist concept of non-self, the author is able to coexist with the shadow and free from the shadow in the heart. ChapterThree analyzes and interprets the creation style and contents of the two series, “My shadow”and “Shadowless”; it illustrates the creation concept and expression techniques of each work.In the end, it presents the integral reflection and introspection, the shadow is sure to be transformedfrom the darkness into the power and becomes the reminder in my life.
碩士
建立日期: 2013
格式: 121 bytes
text/html
語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/332
資源來源: NUTN IR

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吾影‧無影─陳玥樺創作論述

陳玥樺; Chen, Yueh-huah 陳玫琦; none; 美術學系視覺藝術教學碩士班 2013

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