隱蔽的場所－創作研究論述

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題名:
隱蔽的場所－創作研究論述
著者: 林思佳; Lin, Suz- Chia
朱紋皆; Wen-Chieh Chu; 視覺藝術研究所
主題: 直覺; 潛意識; 符號; 肌理; symbol; subconsciousness; intuition; texture
描述: 本創作論述是作者針對二○○四年至二○○六年其間作品所作的文字論述。內容追溯了之前創作者的創作思考模式，並且提及了作者的藝術思想與創作理念，和作品本身的相關性議題，同時亦包括了對作品的詮釋與分析。這些題旨，作者透過創作理念溯源、作品形式概念之成因、作品內容說明等與藝術課題關係密切的三個面向，來進行剖析與自我發現。藝術創作是和心靈作深入的碰觸，透過直覺的感應、色彩與肌理來表現創作者的內心世界。本創作論述之創作呈現，試圖探測創作者個人獨特的心靈空間，以層層剝除的方式，試從受理智所掌控的意識層中，掌握未知且私密的潛意識，本創作論述特別注重創作者所自行營造的獨特空間，進而說明這心靈空間對自身的意涵以及來由。深入探討創作者內心的未知世界—隱蔽的場所，希望透過文字的梳理，以及歷史研究法、行動研究法，再配合理論架構的探討與創作實踐兩方面的互相交錯比對，希望從中對自我創作有更深一層體悟，同時省思藝術創作的無限可能與發展。本論文撰寫的內容，主要架構包括－緒論：闡釋本研究之動機與目的、研究方法與理念發展之架構、研究範圍及架構。第一章：文獻探討，此章將本創作研究相關的文獻作匯整及整理，內容包括超現實主義中的無意識記述、杜布菲的材質及肌理研究以及達比埃斯的符號研究。第二章：創作主題理念與實踐之探討，此章將針對創作的心理層面，進行自我之心理剖析，陳述創作理念和創作形式，並對作品加以詮釋。第三章：本章陳述創作理念和創作形式，並對作品加以解析。結論：針對本論文之研究，提出綜合性結論，以及對未來創作發展方向的省思。
The author would like to propose the typical written argument regarding the works produced between 2004 and 2006. The author not only traces the creative thinking mode of the previous creative artists, but also mentions the artistic thoughts and the creative logics of the author, as well as the relevant issues in relation to the works. Meanwhile, this thesis includes the interpretation and analysis of the artistic works. In regard to the issues above, the author would like to explore and proceed the self discovery by analyzing three dimensions of the artistic themes including the origin of the creative motivation, the formation of the style and concept of the work, and the illustration of the work. The artistic creation involves an in-depth touch with the human mind. The inner world of the artistic creation is presented through the intuitive interaction, color and skin texture. The argument of this thesis intends to present the original idea in an attempt to probe the distinctive mind space of the individual artist. In addition, the author attempts to grasp the unknown and private subconsciousness by means of peeling off the rational consciousness layer by layer. This thesis would particularly emphasize on the eccentric space produced by the creative artists themselves. Moreover, this thesis would like to further illustrate the meaning of the mind space as well as its origin, so as to provide an in-depth insight into the unknown world of inner mind of the creative artists- the hidden locus. Through the description of the word, historical research method and action research method in coordination with the cross-comparison between the discussion of the theoretical framework as well as the creative practice, it is hoped that a deeper understanding of self-creation can be achieved. At the same time, the thesis also aims at reviewing the unlimited possibility and development of the art creation. The major framework of this thesis includes – introduction: this chapter interprets the motivation, aim, research method and the framework of the logic development, scope of research and the framework. Chapter one: literature review. This chapter integrates and organizes the relevant literatures including the unconsciousness argument within the theory of surrealism, the material and texture research of Dubufett, as well as Tapis’s symbol research. Chapter two: this chapter includes the discussion of the concept and practice of the artistic creation. This chapter will carry out the analysis of the self psychology, describe the logics for the creation and modes of the creation, as well as interpret the works. Chapter three: this chapter illustrates the logics and modes of the artistic creation, and provides a further analysis of the works. Conclusion: an integrated conclusion of the thesis will be presented in this chapter; in addition, the future direction in the development of the artistic creation will be brought forward in the conclusion as well.
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建立日期: 2006
格式: 121 bytes
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語言: 中文
識別號: http://nutnr.lib.nutn.edu.tw/handle/987654321/4318
資源來源: NUTN IR

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隱蔽的場所－創作研究論述

林思佳; Lin, Suz- Chia 朱紋皆; Wen-Chieh Chu; 視覺藝術研究所 2006

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