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The Radical Curiosity of John Cage-Is the word 'music' music?

Retallack, Joan

Contemporary music review, 2015-11, Vol.34 (5-6), p.373-384 [同儕審閱期刊]

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題名:
The Radical Curiosity of John Cage-Is the word 'music' music?
著者: Retallack, Joan
主題: Attention ; Cage, John ; Composers ; Composition ; Curiosity ; John Cage ; John Dewey ; Music ; Silence
所屬期刊: Contemporary music review, 2015-11, Vol.34 (5-6), p.373-384
描述: In his foreword to Silence, John Cage comments on the unusual forms in much of the book: 'I have employed in them means of composing analogous to my composing means in the field of music.' Does composing words as one composes music transform those words into music only if they are to be sung? What's actually at stake here? Cage had in mind word compositions that activate a certain intuitive immediacy (in writer, performer, audience) more commonly associated with music than speech: 'My intention has been, often, to say what I had to say in a way that would exemplify it; that would, conceivably, permit the listener to experience what I had to say rather than just hear about it.' John Dewey's Art as Experience is brought to bear on a discussion of Cage's 'mesostic' word composition Art Is Either a Complaint or Do Something Else.
出版者: Abingdon: Routledge
語言: 英文
識別號: ISSN: 0749-4467
EISSN: 1477-2256
DOI: 10.1080/07494467.2016.1150554
資源來源: Academic Search Premier
Taylor & Francis Social Science & Humanities and Science & Technology Library Database Model

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