skip to main content
訪客
個人書架
我的帳戶
登出
登入
This feature requires javascript
檢索首頁
圖書館首頁
電子期刊
引用參考文獻查詢
指定參考書查詢
新書通報
標籤查詢
線上輔助
語言:
English
繁體中文
This feature required javascript
This feature requires javascript
Primo Search
館藏+文章
館藏+文章
館藏
查館藏
文章
查文章
機構典藏
機構典藏
Search For:
Clear Search Box
Search in:
文章
Or hit Enter to replace search target
Or select another collection:
Search in:
文章
進階檢索
瀏覽查詢
This feature requires javascript
顯示結果:
查詢種類
criteria input
包含在我的檢索語句內
完全相同
顯示結果:
查詢種類 索引
criteria input
任何地方
題名
ISBN
ISSN
Show Results with:
題名
Show Results with:
任何地方
題名
ISBN
ISSN
This feature requires javascript
Hasard et orient au XXe siecle. Les controverses artistiques
Boulez
/ Cage et Queneau / Breton
Sébastien Wit
Philosophy kitchen, 2021-03 (14)
[同儕審閱期刊]
可取得全文
引用
被引用
線上檢視
詳細格式
評論和標籤
相關文章推薦
FullText@NUTN
引用次數
This feature requires javascript
傳送到
加入個人書架
從個人書架中移除
E-mail
列印
永久連結
引用
EndNote
導出 RiS
This feature requires javascript
題名:
Hasard et orient au XXe siecle. Les controverses artistiques
Boulez
/ Cage et Queneau / Breton
著者:
Sébastien Wit
所屬期刊:
Philosophy kitchen, 2021-03 (14)
描述:
This paper proposes to return to the way in which the artistic chance of the 20th century is constructed by a set of discourses, through which artists elaborate conceptions of the artistic subject, and make art a space of norm of the subjectivity of individuals. Thought as a device, following the work of Giorgio Agamben, the aesthetic experience is no longer a place of pure freedom, of free exercise of a formal game. On the contrary, it becomes a matrix producing determinations through which modes of subjectivity are shaped. We will focus on this side of chance, in order to get away from a purely mystical reading, as well as from the simple dualism between reason and chance. We will see that in the 20th century chance constitutes a discursive tool, a field operator, a vector of relations of knowledge and power. Several recent works on artistic chance have considered it in its heteronomous character, and not only from the point of view of aesthetic autonomy. Intending to contribute to this formalization of an epistemic approach of chance, this article analyses two major quarrels about chance in the 20th century in which the Orient serves as a point of reference for the elaboration of a post-rational artistic subjectivity: the Boulez/Cage quarrel, and the Queneau/Breton one.
出版者:
Università degli Studi di Torino
語言:
英文
識別號:
ISSN: 2385-1945
EISSN: 2385-1945
DOI: 10.13135/2385-1945/5882
資源來源:
DOAJ Directory of Open Access Journals
連結
View record in Directory of Open Access Journals$$FView record in $$GDirectory of Open Access Journals
This feature requires javascript
This feature requires javascript
返回到檢索清單
This feature requires javascript
This feature requires javascript
正在檢索遠程資料庫,請稍等
查詢:
在
primo_central_multiple_fe
顯示現有記錄
This feature requires javascript
This feature requires javascript