skip to main content
訪客
個人書架
我的帳戶
登出
登入
This feature requires javascript
檢索首頁
圖書館首頁
電子期刊
引用參考文獻查詢
指定參考書查詢
新書通報
標籤查詢
線上輔助
語言:
English
繁體中文
This feature required javascript
This feature requires javascript
Primo Search
館藏+文章
館藏+文章
館藏
查館藏
文章
查文章
機構典藏
機構典藏
Search For:
Clear Search Box
Search in:
館藏+文章
Or hit Enter to replace search target
Or select another collection:
Search in:
館藏+文章
進階檢索
瀏覽查詢
This feature requires javascript
資源種類
criteria input
圖書
期刊
視聽資料
全部館藏
顯示結果:
criteria input
包含在我的檢索語句內
完全相同
起始以
顯示結果:
查詢種類 索引
criteria input
任何地方
題名
ISBN
ISSN
Show Results with:
題名
Show Results with:
任何地方
題名
ISBN
ISSN
This feature requires javascript
Das imagens à criação de formas sonoras Uma possível epistemologia dos processos de análise e composição com suporte computacional
Rossetti, Danilo
Revista Vórtex, 2018-09, Vol.6 (2), p.1-27
[同儕審閱期刊]
可取得全文
引用
被引用
線上檢視
詳細格式
評論和標籤
相關文章推薦
FullText@NUTN
引用次數
This feature requires javascript
傳送到
加入個人書架
從個人書架中移除
E-mail
列印
永久連結
引用
EndNote
導出 RiS
This feature requires javascript
題名:
Das imagens à criação de formas sonoras Uma possível epistemologia dos processos de análise e composição com suporte computacional
著者:
Rossetti, Danilo
主題:
Análise musical com suporte computacional
;
Boulez
, Pierre
;
CAD
;
Computer aided design
;
Computer music
;
Electronic music
;
Epistemology
;
Inteligibilidade das formas
;
Invenção
;
Logos
;
Musical composition
;
Musical criticism
;
Música eletroacústica mista
;
Nono
, Luigi
;
Princípio Individuação
;
Simondon, Gilbert (1921-1989)
;
Thom, Rene
所屬期刊:
Revista Vórtex, 2018-09, Vol.6 (2), p.1-27
描述:
We approach and develop an epistemological study on the activities of composition and musical analysis, specifically those performed in computing environments. As tools for the understanding of these processes we apply the concept of Invention and the Principle of Individuation from Gilbert Simondon, in addition to René Thom’s proposal for the Intelligibility of Forms. We address two patches for sound analysis and processing and perform a study on the application of those mentioned concepts in the description of the interactive processes in two live-electronic works: Anthèmes 2, from Pierre
Boulez
, and A Pierre: Dell’azzurro silenzio, inquietum, from Luigi
Nono
. We analyze the interaction between instrumental writing and musical performance, analysis and sound processing tools, in addition to the emergent sonority of this process. We conclude emphasizing the articulation between different knowledge areas in composition and musical analysis (technologies and concepts) for the emergence of a musical practice connected with the forms of our time.
出版者:
Curitiba: Escola de Música e Belas Artes do Paraná
語言:
葡文;英文
識別號:
ISSN: 2317-9937
EISSN: 2317-9937
資源來源:
Publicly Available Content Database
DOAJ Directory of Open Access Journals
This feature requires javascript
This feature requires javascript
返回到檢索清單
This feature requires javascript
This feature requires javascript
正在檢索遠程資料庫,請稍等
查詢:
在
scope:("NUTN"),scope:(NUTN_ALEPH),scope:(NUTN_IR),scope:(NUTN_SFX),primo_central_multiple_fe
顯示現有記錄
This feature requires javascript
This feature requires javascript