skip to main content
訪客
個人書架
我的帳戶
登出
登入
This feature requires javascript
檢索首頁
圖書館首頁
電子期刊
引用參考文獻查詢
指定參考書查詢
新書通報
標籤查詢
線上輔助
語言:
English
繁體中文
This feature required javascript
This feature requires javascript
Primo Search
館藏+文章
館藏+文章
館藏
查館藏
文章
查文章
機構典藏
機構典藏
Search For:
Clear Search Box
Search in:
文章
Or hit Enter to replace search target
Or select another collection:
Search in:
文章
進階檢索
瀏覽查詢
This feature requires javascript
顯示結果:
查詢種類
criteria input
包含在我的檢索語句內
完全相同
顯示結果:
查詢種類 索引
criteria input
任何地方
題名
ISBN
ISSN
Show Results with:
題名
Show Results with:
任何地方
題名
ISBN
ISSN
This feature requires javascript
Intermedialità e sinmedialità nella videoarte contemporanea: Robert Cahen e Pierre
Boulez
Raffaele Pozzi
Journal of educational, cultural and psychological studies (Online), 2023-06 (27), p.197-206
[同儕審閱期刊]
可取得全文
引用
被引用
線上檢視
詳細格式
評論和標籤
相關文章推薦
FullText@NUTN
引用次數
This feature requires javascript
傳送到
加入個人書架
從個人書架中移除
E-mail
列印
永久連結
引用
EndNote
導出 RiS
This feature requires javascript
題名:
Intermedialità e sinmedialità nella videoarte contemporanea: Robert Cahen e Pierre
Boulez
著者:
Raffaele Pozzi
主題:
complexity in education
;
contemporary video art
;
musique concrète
;
pierre
boulez
;
robert cahen
所屬期刊:
Journal of educational, cultural and psychological studies (Online), 2023-06 (27), p.197-206
描述:
Intermediality and Sinmediality in Contemporary Video Art: Robert Cahen and Pierre
Boulez
The French video artist Robert Cahen (Valence, 1945), member of the Groupe de Recherches Musicales (GRM) founded in Paris in 1958 by André Schaeffer, begun to apply to images the experimental techniques of the so-called «musique concrète» in the early Seventies. Since his first video («L’invitation au voyage», 1972) Cahen manipulates images like sounds and explores the dimension of time perception. Inspired by the complex, fluid motions of sounds in space and by the Schaeffer’s theory and practice of the «écoute réduite», he develops a visual style deeply influenced by a musical conception of time. The concept of time is central in both the Cahen’s works devoted to Pierre Boulez’s music and conducting: the film «
Boulez
-Répons» (1985) and the video installation «Le Maître du temps. Pierre
Boulez
dirige Mémoriale» (2011). The article presents and analyzes the original audiovisual language and aesthetic meaning of both works according to the concept of «intermediality» and «sinmediality» in contemporary video art.
出版者:
LED Edizioni Universitarie
語言:
英文
識別號:
ISSN: 2037-7932
EISSN: 2037-7924
DOI: 10.7358/ecps-2023-027-pozr
資源來源:
DOAJ Directory of Open Access Journals
連結
View record in Directory of Open Access Journals$$FView record in $$GDirectory of Open Access Journals
This feature requires javascript
This feature requires javascript
返回到檢索清單
前一個記錄
檢索清單
4
下ㄧ個記錄
This feature requires javascript
This feature requires javascript
正在檢索遠程資料庫,請稍等
查詢:
在
primo_central_multiple_fe
顯示現有記錄
This feature requires javascript
This feature requires javascript