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Intermedialità e sinmedialità nella videoarte contemporanea: Robert Cahen e Pierre Boulez

Raffaele Pozzi

Journal of educational, cultural and psychological studies (Online), 2023-06 (27), p.197-206 [同儕審閱期刊]

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  • 題名:
    Intermedialità e sinmedialità nella videoarte contemporanea: Robert Cahen e Pierre Boulez
  • 著者: Raffaele Pozzi
  • 主題: complexity in education ; contemporary video art ; musique concrète ; pierre boulez ; robert cahen
  • 所屬期刊: Journal of educational, cultural and psychological studies (Online), 2023-06 (27), p.197-206
  • 描述: Intermediality and Sinmediality in Contemporary Video Art: Robert Cahen and Pierre Boulez The French video artist Robert Cahen (Valence, 1945), member of the Groupe de Recherches Musicales (GRM) founded in Paris in 1958 by André Schaeffer, begun to apply to images the experimental techniques of the so-called «musique concrète» in the early Seventies. Since his first video («L’invitation au voyage», 1972) Cahen manipulates images like sounds and explores the dimension of time perception. Inspired by the complex, fluid motions of sounds in space and by the Schaeffer’s theory and practice of the «écoute réduite», he develops a visual style deeply influenced by a musical conception of time. The concept of time is central in both the Cahen’s works devoted to Pierre Boulez’s music and conducting: the film «Boulez-Répons» (1985) and the video installation «Le Maître du temps. Pierre Boulez dirige Mémoriale» (2011). The article presents and analyzes the original audiovisual language and aesthetic meaning of both works according to the concept of «intermediality» and «sinmediality» in contemporary video art.
  • 出版者: LED Edizioni Universitarie
  • 語言: 英文
  • 識別號: ISSN: 2037-7932
    EISSN: 2037-7924
    DOI: 10.7358/ecps-2023-027-pozr
  • 資源來源: DOAJ Directory of Open Access Journals
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