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鋼琴的新音響：拉亨曼《刮葫》研究

宋育任(Sung, Yu-Jen)

Yi shu ping lun, 2018-01 (34), p.029-065

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題名:
鋼琴的新音響：拉亨曼《刮葫》研究
著者: 宋育任(Sung, Yu-Jen)
主題: avant-garde music ; Guero ; Helmut Lachenmann ; modem piano work ; musique concrete instrumentale ; 刮葫 ; 前衛音樂 ; 拉亨曼 ; 樂器具象音樂 ; 現代鋼琴曲
所屬期刊: Yi shu ping lun, 2018-01 (34), p.029-065
描述: Helmut Lachenmann (1935- ) is one of the most important German avant-garde composers, and has created so far seven piano solo works. Among them, Guero (1969/1988)is one of his most avant-garde works. There are almost no piano sounds in the traditional sense in the whole piece, which is elaborated almost entirely from alienated (verfremdete) sounds [unrelated to traditional piano playing]. It sounds like Guero (or Guiro: a percussion instrument from South America) and consists of “noise sounds”，which evoke Lachenmann’s own particular style, namely “musique concrete instrumentale”. Lachenmann systematically anatomizes the piano’s various musical possibilities, and makes the piano produce new “noise sounds”. He enriches the contemporary piano repertoire with these new sounds, requiring new piano playing skills and at the same time revolutionizing the traditional method of composing works for the piano. Lachenmann brings new vision to his audience, and his innovations and contributions to the piano repertoire mak
出版者: 台灣: 臺北藝術大學
語言: 中文
識別號: ISSN: 1015-6240
DOI: 10.3966/101562402018010034002
資源來源: Airiti Library

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鋼琴的新音響：拉亨曼《刮葫》研究

宋育任(Sung, Yu-Jen)

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