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Music after Zero Hour

Fox, Christopher

Contemporary music review, 2007-02, Vol.26 (1), p.5-24 [同儕審閱期刊]

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題名:
Music after Zero Hour
著者: Fox, Christopher
主題: Boulez, Pierre ; Composers ; Compositional styles ; Darmstadt School ; Germany ; Jazz ; Maderna, Bruno ; Nazism ; Nono, Luigi ; Open form ; Political Influences ; Popular Music ; Post-World War II Era ; Serialism ; Stockhausen, Karlheinz ; Summer Music Schools ; Zimmermann, Bernd Alois
所屬期刊: Contemporary music review, 2007-02, Vol.26 (1), p.5-24
描述: The development of the Darmstadt Ferienkurse is set in the context of post-war political and economic circumstances in Germany. The process of de-Nazification, set in operation by the occupying allied forces, is described, especially in relation to the cultural programmes instituted in the American zone. The emerging identity of a Darmstadt School of composers is discussed and the nature of their compositional practice is scrutinised. In particular the use of serial techniques, allusions to popular music, and open-form in the music of Boulez, Maderna, Nono and Stockhausen is examined, with further reference made to the work of B. A. Zimmermann. It is suggested that aspects of this music have a direct correlation with contemporary political events.
出版者: Abingdon: Routledge
語言: 英文
識別號: ISSN: 0749-4467
EISSN: 1477-2256
DOI: 10.1080/07494460601069143
資源來源: EBSCOhost Academic Search Premier
Taylor & Francis Current Content Access

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