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More than Meets the Eye: Derivations and Stratification in Boulez's ‘Don’ (1962)

Sudo, Marina

Music analysis, 2020-10, Vol.39 (3), p.359-386 [同儕審閱期刊]

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題名:
More than Meets the Eye: Derivations and Stratification in Boulez's ‘Don’ (1962)
著者: Sudo, Marina
所屬期刊: Music analysis, 2020-10, Vol.39 (3), p.359-386
描述: ABSTRACT Based on a study of the sketch material held at the Paul Sacher Foundation, this paper examines the derivation of materials in the 1962 orchestral version of ‘Don’, the first movement of Pli selon pli: Portrait de Mallarmé by Pierre Boulez. Although the composer starts with a prepared serial multiplication table, he exhibits a flexible and imaginative treatment of material between conceptual planning, conceived initially in the relationship with the last movement, ‘Tombeau’, and its mise en place. Some sketches suggest that Boulez carefully selects the material according to the sound image in his mind. The interaction between planning and sound realisation shows, furthermore, that he did not view the series as a restriction but rather as a fountain of creative inspiration.
出版者: Oxford: Wiley Subscription Services, Inc
語言: 英文
識別號: ISSN: 0262-5245
EISSN: 1468-2249
DOI: 10.1111/musa.12141
資源來源: EBSCOhost Academic Search Premier
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