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多重音级集合在
拉
亨
曼
室内乐《Mouvement》中的展现(下)
周凌宇
乐府新声, 2014, Vol.32 (3), p.68-73
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Title:
多重音级集合在
拉
亨
曼
室内乐《Mouvement》中的展现(下)
Author:
周凌宇
Is Part Of:
乐府新声, 2014, Vol.32 (3), p.68-73
Description:
J627.0; 德国作曲家赫尔缪特·
拉
亨
曼
所作大型室内乐 《Mouvement》是上世纪八十年代的代表作品之一,在其整个室内乐作品系列中担负着承前启后的作用和意义,亦是继勋伯格等人之后作为先锋派作曲的继承者与推崇者在革新作曲理念、升华作曲技法方面上下求索的里程碑之作.本文一定程度上运用阿伦·福特的音级集合理论对其加以分析论述,借以立足于音乐微观结构元素的“四元体系”[2]即:旋律、节奏、和声、音响四种角度用来分析论述作品中不同的音级集合在横向、纵向与交错的时间空间里不断游移不断运动不断变幻的逻辑规律.
Publisher:
沈阳音乐学院
Language:
Chinese
Identifier:
ISSN: 1001-5736
Source:
Alma/SFX Local Collection
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