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Gay Darmstadt: Flamboyance and Rigour at the Summer Courses for New Music
Gay Darmstadt: Flamboyance and Rigour at the Summer Courses for New Music
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Gay Darmstadt: Flamboyance and Rigour at the Summer Courses for New Music

Osmond-Smith, David ; Attinello, Paul

Contemporary music review, 2007-02, Vol.26 (1), p.105-114 [同儕審閱期刊]

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2
Luigi Nono and the Darmstadt School: Form and meaning in the early works (1950-1959)
Luigi Nono and the Darmstadt School: Form and meaning in the early works (1950-1959)
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Luigi Nono and the Darmstadt School: Form and meaning in the early works (1950-1959)

Fox, Christopher

Contemporary music review, 1999-01, Vol.18 (2), p.111-130 [同儕審閱期刊]

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3
In memoriam: Pierre Boulez
In memoriam: Pierre Boulez
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In memoriam: Pierre Boulez

Whittall, Arnold

Musical Times, 2016-04, Vol.157 (1934), p.3-2

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4
Plotting the path, prolonging the moment: Kurtág's Settings of German
Plotting the path, prolonging the moment: Kurtág's Settings of German
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Plotting the path, prolonging the moment: Kurtág's Settings of German

Whittall, Arnold

Contemporary music review, 2001-01, Vol.20 (2-3), p.89-107 [同儕審閱期刊]

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5
Managing modernism 2
Managing modernism 2
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Managing modernism 2

JONES, NICHOLAS

Musical Times, 2010, Vol.151 (1912), p.109-112

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6
Disturbance — and happiness?
Disturbance — and happiness?
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Disturbance — and happiness?

WHITTALL, ARNOLD

Musical Times, 2011, Vol.152 (1916), p.114-117

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7
Postmodern or Modern: A Different Approach to Darmstadt
Postmodern or Modern: A Different Approach to Darmstadt
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Postmodern or Modern: A Different Approach to Darmstadt

Attinello, Paul

Contemporary music review, 2007-02, Vol.26 (1), p.25-37 [同儕審閱期刊]

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8
William Glock and the British Broadcasting Corporation's Music Policy, 1959-73
William Glock and the British Broadcasting Corporation's Music Policy, 1959-73
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William Glock and the British Broadcasting Corporation's Music Policy, 1959-73

Edmunds, Neil

Contemporary British history, 2006-06, Vol.20 (2), p.233-261 [同儕審閱期刊]

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9
Playing the "Unplayable": Schoenberg, Heifetz, and the Violin Concerto, Op. 36
Playing the "Unplayable": Schoenberg, Heifetz, and the Violin Concerto, Op. 36
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Playing the "Unplayable": Schoenberg, Heifetz, and the Violin Concerto, Op. 36

Kawabata, Maiko

The Journal of musicological research, 2015-01, Vol.34 (1), p.31-50 [同儕審閱期刊]

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10
Mimeticnost v kontekstu prestopanja robov umetnostnih diskurzov v modernizmu
Mimeticnost v kontekstu prestopanja robov umetnostnih diskurzov v modernizmu
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Mimeticnost v kontekstu prestopanja robov umetnostnih diskurzov v modernizmu

Jez, Andraz

Primerjalna književnost, 2015-05, Vol.38 (2), p.77

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