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Serial Canon(s): Nono's Variations and Boulez's Structures

Iddon, Martin

Contemporary music review, 2010-06, Vol.29 (3), p.265-275 [同儕審閱期刊]

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Music after Zero Hour

Fox, Christopher

Contemporary music review, 2007-02, Vol.26 (1), p.5-24 [同儕審閱期刊]

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Studying Luigi Nono's A Pierre. Dell'azzurro silenzio, inquietum (1985) as a Performance Event

Zattra, Laura ; Burleigh, Ian ; Sallis, Friedemann

Contemporary music review, 2011-10, Vol.30 (5), p.411-439 [同儕審閱期刊]

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Gay Darmstadt: Flamboyance and Rigour at the Summer Courses for New Music

Osmond-Smith, David ; Attinello, Paul

Contemporary music review, 2007-02, Vol.26 (1), p.105-114 [同儕審閱期刊]

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Composing in the shadow of Darmstadt

Lachenmann, Helmut

Contemporary music review, 2004-09, Vol.23 (3-4), p.43-53 [同儕審閱期刊]

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Touched by Nono

Lachenmann, Helmut

Contemporary music review, 1999-01, Vol.18 (1), p.17-30 [同儕審閱期刊]

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Luigi Nono and the Darmstadt School: Form and meaning in the early works (1950-1959)

Fox, Christopher

Contemporary music review, 1999-01, Vol.18 (2), p.111-130 [同儕審閱期刊]

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Paris, Darmstadt, New York: The Beginnings of the 'New Music' Quartet

Toop, Richard

Contemporary music review, 2014-05, Vol.33 (3), p.318-335 [同儕審閱期刊]

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Luigi Nono's Canti di vita e d'amore: new phases of development 1960-62

Irvine, John

Contemporary music review, 1999-01, Vol.18 (2), p.87-109 [同儕審閱期刊]

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