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Paris, Darmstadt, New York: The Beginnings of the 'New Music' Quartet

Toop, Richard

Contemporary music review, 2014-05, Vol.33 (3), p.318-335 [同儕審閱期刊]

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Centring The Periphery: Local Identity in the Music of Theodore Antoniou and other Twentieth-Century Greek Composers

Andronikou, Michalis ; Sallis, Friedemann

Intersections (Toronto. 2006), 2012, Vol.33 (1), p.11-34 [同儕審閱期刊]

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Cage and Tudor as Process

Casey, Rob

Contemporary music review, 2016-11, Vol.35 (6), p.670-685 [同儕審閱期刊]

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Playing the "Unplayable": Schoenberg, Heifetz, and the Violin Concerto, Op. 36

Kawabata, Maiko

The Journal of musicological research, 2015-01, Vol.34 (1), p.31-50 [同儕審閱期刊]

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Stay True to the Sound of History: Philology, Phylogenetics and Information Engineering in Musicology

Verde, Sebastiano ; Milani, Simone ; Canazza, Sergio

Applied sciences, 2018-02, Vol.8 (2), p.226 [同儕審閱期刊]

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Interview with Siegfried Matthus, 20 February 2009, Stolzenhagen

Böhme-Mehner, Tatjana

Contemporary music review, 2011-02, Vol.30 (1), p.53-60 [同儕審閱期刊]

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LA PEDAGOGÍA DE LA NUEVA MÚSICA. WEBERN COMO EDUCADOR/Pedagogy of the new music. Webern as an educator

Martí, Marc Pepiol

Historia de la educación, 2013-01 (32), p.185 [同儕審閱期刊]

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Contrasting Approaches: The Continued Relevance of Pre-recorded Live Electronics in Australian Music

McNamara, Peter

Musicology Australia, 2016-01, Vol.38 (1), p.46-64 [同儕審閱期刊]

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Interview with Paul Heinz Dittrich, Zeuthen, 20 February 2009

Böhme-Mehner, Tatjana

Contemporary music review, 2011-02, Vol.30 (1), p.65-70 [同儕審閱期刊]

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The International Society for Contemporary Music in Melbourne: Forerunners, Foundation, and Decline

Green, Clinton

Musicology Australia, 2010-12, Vol.32 (2), p.243-263 [同儕審閱期刊]

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