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1
吴让之与杨沂孙篆书风格成因比较
吴让之与杨沂孙篆书风格成因比较
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吴让之与杨沂孙篆书风格成因比较

张雷

书法, 2022 (8), p.71-76

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2
家法融于古法:杨沂孙书学思想探析
家法融于古法:杨沂孙书学思想探析
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家法融于古法:杨沂孙书学思想探析

邵宁

书法, 2023 (5), p.96-99

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3
当下大篆书法创作简论
当下大篆书法创作简论
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当下大篆书法创作简论

张鹏宇

书法, 2016 (12), p.160-162

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4
掀举若神写石鼓——论《石鼓文》对吴昌硕书法创作之影响
掀举若神写石鼓——论《石鼓文》对吴昌硕书法创作之影响
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掀举若神写石鼓——论《石鼓文》对吴昌硕书法创作之影响

王继超

书法, 2017 (12), p.92-95

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5
竹堂笔记（四）
竹堂笔记（四）
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竹堂笔记（四）

孟会祥

书法, 2014 (1), p.78-79

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6
篆书结构体式转化中的审美意识(下)
篆书结构体式转化中的审美意识(下)
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篆书结构体式转化中的审美意识(下)

王博文

书法, 2012 (7), p.109-113

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  1. 书法创作  (2)
  2. 吴昌硕  (2)
  3. 石鼓文  (2)
  4. 篆书  (2)
  5. 体式  (1)
  6. 出土时间  (1)
  7. 创作实践  (1)
  8. 唐代初期  (1)
  9. 大篆  (1)
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  11. 小篆  (1)
  12. 明末清初  (1)
  13. 晚清民国  (1)
  14. 朱彝尊  (1)
  15. 李阳冰  (1)
  16. 王羲之  (1)
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