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1
Teutonic time-slip: Travels in electronic music, technology, and German identity 1968-2009.
Teutonic time-slip: Travels in electronic music, technology, and German identity 1968-2009.
Teutonic time-slip: Travels in electronic music, technology, and German identity 1968-2009.
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Teutonic time-slip: Travels in electronic music, technology, and German identity 1968-2009.

Sean Culhane. Nye University of Minnesota. Comparative Studies in Discourse and Society. 2013

Dissertation Abstracts International 74-09A(E).

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2
Music in Germany since 1968
Music in Germany since 1968
Music in Germany since 1968
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Music in Germany since 1968

Alastair. Williams 2013

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3
Of essence and context between music and philosophy
Of essence and context between music and philosophy
Of essence and context between music and philosophy
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Of essence and context between music and philosophy

Ruta Staneviciute; Nick Zangwill; Rima Povilioniene; SpringerLink (Online service) 2019

Springer eBooks

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4
Utopian strain: Ambivalent absolutes in European composition, 1968--2001.
Utopian strain: Ambivalent absolutes in European composition, 1968--2001.
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Utopian strain: Ambivalent absolutes in European composition, 1968--2001.

Seth. Brodsky University of Rochester, Eastman School of Music. 2007

Dissertation Abstracts International 68-04A.

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5
The Cambridge history of eighteenth-century music
The Cambridge history of eighteenth-century music
The Cambridge history of eighteenth-century music
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The Cambridge history of eighteenth-century music

Simon P. Keefe 1968- 2009

可在 府城總館  1樓西文書區  (780.9033 C178 )取得(請點選下列選項)

6
The rest is noise : listening to the twentieth century
The rest is noise : listening to the twentieth century
The rest is noise : listening to the twentieth century
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The rest is noise : listening to the twentieth century

Alex Ross 1968- 2007

可在 府城總館  1樓西文書區  (780.904 R823 )取得(請點選下列選項)

7
THE LIEDER OF HUGO WOLF: ZENITH OF THE GERMAN ART SONG.
THE LIEDER OF HUGO WOLF: ZENITH OF THE GERMAN ART SONG.
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THE LIEDER OF HUGO WOLF: ZENITH OF THE GERMAN ART SONG.

PAUL CHARLES. BOYLAN University of Michigan. 1968

Dissertation Abstracts International 30-03A.

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8
The oboe works of Isang Yun.
The oboe works of Isang Yun.
The oboe works of Isang Yun.
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The oboe works of Isang Yun.

Sara E. Fraker University of Illinois at Urbana-Champaign. 2009

Dissertation Abstracts International 70-06A.

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9
Recomposing Monteverdi: Twentieth-Century Adaptations of Monteverdi's Operas.
Recomposing Monteverdi: Twentieth-Century Adaptations of Monteverdi's Operas.
Recomposing Monteverdi: Twentieth-Century Adaptations of Monteverdi's Operas.
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Recomposing Monteverdi: Twentieth-Century Adaptations of Monteverdi's Operas.

Benjamin Ernest. Thornburn Yale University. 2012

Dissertation Abstracts International 73-12A(E).

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10
Staging the Past: Richard Wagner's "Ring" Cycle in Divided Germany during the 1970s and 1980s.
Staging the Past: Richard Wagner's "Ring" Cycle in Divided Germany during the 1970s and 1980s.
Staging the Past: Richard Wagner's "Ring" Cycle in Divided Germany during the 1970s and 1980s.
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Staging the Past: Richard Wagner's "Ring" Cycle in Divided Germany during the 1970s and 1980s.

Alexander K. Rothe Columbia University. Music. 2015

Dissertation Abstracts International 76-10A(E).

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