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The influence of Charles Ives on the solo piano music of John Cage.

Yolanda Maxine. Rodriguez California State University, Long Beach. 2008

Masters Abstracts International 46-06.

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12
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The early percussion music of John Cage, 1935-1943.

Barry Michael. Williams Michigan State University. 1990

Dissertation Abstracts International 52-02A.

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13
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Through the looking glass : John Cage and avant-garde film

Richard H. Brown 1982- c2019

可在 府城總館  1樓西文書區  (780.92 C131:1 )取得(請點選下列選項)

14
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*Records ruin the landscape: John Cage, the sixties, and sound recording.

David. Grubbs The University of Chicago. 2005

Dissertation Abstracts International 66-11A.

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15
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約翰.凱吉 : 一位酷兒的禪機藝語 = John Cage : the zenness and queerness in his arts

彭宇薰 著 2020[民109]

可在 府城總館  4樓中文書庫區  (910.9952 2740 4234 )取得(請點選下列選項)

16
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The prepared piano of John Cage: A new level of hearing the Sonatas and Interludes.

Inara. Ferreira Florida Atlantic University. 2010

Masters Abstracts International 48-05.

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17
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Intersections, connections, and parallels similarities between the piano concerti of John Cage and Arnold Schoenberg.

Phillip C., II. Bracken West Virginia University. 2012

Masters Abstracts International 51-03(E).

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18
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I Ching in the Music of John Cage, Chou Wen Chung, and Zhao Xiao Sheng.

Sau Woon Rebecca. Au The Chinese University of Hong Kong (Hong Kong). 2013

Dissertation Abstracts International 75-07A(E).

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19
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John Cage twentieth-century avant-garde composer and a historical perspective of his use of graphic notation in composition.

Amanda Lynn. Roehl University of South Dakota. Music. 2012

Masters Abstracts International 51-04(E).

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20
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Graphic notation as means of musical gesture: examining percussion works by John Cage, Morton Feldman, and Vinko Globokar.

Cory. Hills University of Kansas. Music. 2011

Masters Abstracts International 51-02(E).

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