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"Available to Our Ears" : John Cage and Broadcast Media.

John Michael. Green ProQuest Information and Learning Co.; University of Rochester. Eastman School of Music. 2020

Dissertations Abstracts International 82-03A.

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John Cage's "HPSCHD".

Sara J. Heimbecker University of Illinois at Urbana-Champaign. Music. 2011

Dissertation Abstracts International 73-01A.

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Collaged codes: John Cage's "Credo in Us".

Gerald Paul. Cox Case Western Reserve University. Musicology. 2011

Dissertation Abstracts International 73-06A.

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Religion and the invention(s) of John Cage.

Sor Ching. Low Syracuse University. 2007

Dissertation Abstracts International 68-05A.

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John Cage: Prints, drawings and watercolors, 1978--1992.

Paula Oliver. Rau Virginia Commonwealth University. 2005

Dissertation Abstracts International 66-02A.

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The influence of Charles Ives on the solo piano music of John Cage.

Yolanda Maxine. Rodriguez California State University, Long Beach. 2008

Masters Abstracts International 46-06.

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The early percussion music of John Cage, 1935-1943.

Barry Michael. Williams Michigan State University. 1990

Dissertation Abstracts International 52-02A.

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*Records ruin the landscape: John Cage, the sixties, and sound recording.

David. Grubbs The University of Chicago. 2005

Dissertation Abstracts International 66-11A.

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The prepared piano of John Cage: A new level of hearing the Sonatas and Interludes.

Inara. Ferreira Florida Atlantic University. 2010

Masters Abstracts International 48-05.

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Intersections, connections, and parallels similarities between the piano concerti of John Cage and Arnold Schoenberg.

Phillip C., II. Bracken West Virginia University. 2012

Masters Abstracts International 51-03(E).

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