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John Cage: Prints, drawings and watercolors, 1978--1992.

Paula Oliver. Rau Virginia Commonwealth University. 2005

Dissertation Abstracts International 66-02A.

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Toward Listening as a Curatorial Method : Histories, Methodologies, Propositions.

Liora. Belford ProQuest Information and Learning Co.; University of Toronto (Canada). History of Art. 2021

Dissertations Abstracts International 82-10A.

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From art to performance Marcel Duchamp's Imagery of Chess exhibition at the Julien Levy Gallery.

Meredith E. Lancaster ProQuest Information and Learning Co.; University of Oregon. History of Art and Architecture. 2015

Masters Abstracts International 55-01(E).

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States of self: Carolee Schneemann's works, 1962--1974.

Sandra. Skurvidaite State University of New York at Stony Brook. 2006

Dissertation Abstracts International 68-04A.

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"Piano Album: Short Piano Pieces, 1962--1984" by Dick Higgins: A D.I.Y. kit for creative people of the non-automaton kind.

Geoffrey Charles. Gartner University of California, San Diego. 2009

Dissertation Abstracts International 70-07A.

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Zen Buddhism and Mid-Century American Art.

Liam. Smith State University of New York at Stony Brook. Art History and Criticism. 2011

Masters Abstracts International 50-01.

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Specifically sound: Critical pedagogy and the sound art practice of Ultra-red.

Katherine. Bray University of Southern California. Planning. Public Art Studies. 2014

Masters Abstracts International 51-06(E).

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Techniques of the real in performance since the 1960s.

Jessica. Chalmers New York University. 1999

Dissertation Abstracts International 60-09A.

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Serial Aesthetics and the Concept of Technique: Mel Bochner and the 1960s.

Derek. Weiler New York University. Institute of Fine Arts. 2013

Dissertation Abstracts International 74-07A(E).

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Objects Without Object: The Artwork in Flux, 1958-1969.

Natilee Omann. Harren University of California, Los Angeles. Art History 0093. 2013

Dissertation Abstracts International 74-09A(E).

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